Please note: Each catalog listing is followed by an estimate range. 

Click here for a list of Prices Realized

 

1. AL CZEREPAK (1928-1986) OIL ON BOARD, LILACS, 19 1/2 X15 1/2”, COND. VERY GOOD, SIGNED LL. 700/900

2. BLANCHE E. COLMAN (1874-1959) OIL ON CANVAS BOARD, THE COVE, 16 X20”, COND. VERY GOOD, SIGNED LL. 600/800

3. C. ROBERT PERRIN (1915-1999) WATERCOLOR, CURIOSITY SHOPS, 21 1/2 X16 1/2”, COND. EXCELLENT, SIGNED LL. 1,200/1,800

4. J.J. ENWRIGHT (B.1905) OIL ON CANVAS, NANTUCKET HARBOR, 24 X30”, COND. GOOD, SIGNED LR. 2,000/3,000

5. ROBERTA THRESHER (RAA 1974-2002, D.2002) WATERCOLOR, PEACEFUL COVE, 7 3/4 X9 3/4”, COND. VERY GOOD, SIGNED LL 200/400

6. PAUL NOBLE JAMES (RAA 1964-1976) WATERCOLOR, SNOWSWEPT, 14 X22”, COND. VERY GOOD, SIGNED LR. 400/600

7. WALTER BOLLENDONK (1897-1977) OIL ON CANVAS (1963), HOUSE ON KING ST., 20 X24”, COND. EXCELLENT, SIGNED LL. 900/1,200

8. BERNARD COREY (1914-2000) OIL ON CANVAS/ MNT ON BOARD, ROAD TO BATE‘S PLACE, 9 X12”, COND. EXCELLENT, SIGNED LR. 1,200/1,500

9. DOMENIC DEMERI (1942-1994) WATERCOLOR, DUSK AT WINTER, 9 3/4 X7 1/2”, COND. EXCELLENT, SIGNED LR. 500/700

10. GIRAGOS DER GARABEDIAN (1892-1980) OIL ON BOARD, ROCKPORT, 12 X16”, COND. VERY GOOD, SIGNED LR. 1,200/1,800

11. LEIGHTON R. CRAM (1895-1981) OIL ON CANVAS, ROCKPORT HIDEAWAY, 26 X30”, COND. VERY GOOD, SIGNED LL. 900/1,200

12. ATTRIBUTED TO THERESA BERNSTEIN (1891-2002) OIL ON CANVAS (1919), UNEMPLOYED ACTRESS, 27 X20”, COND. FAIR, NOT SIGNED. 5,000/10,000

13. STANLEY WOODWARD (1890-1970) OIL ON BOARD (1949), THE OLD SALT BOX, ZEBULAN PARSON’S HOUSE, SOUTH ST. ROCKPORT, 16 X20”, COND. GOOD, SIGNED LR. 2,000/3,000

14. HENRY HENSCHE (1901-1992) OIL ON BOARD, AUTUMN LIGHT, 16 X20”, COND. EXCELLENT, SIGNED LR. 5,000/7,000

15. JOAN KERRY (RAA 1977-1996, D.1996) EGG TEMPERA ON MASONITE, ROCKY NECK GARDEN, 20 X16”, COND. VERY GOOD, SIGNED UR. 700/900

16. ANTONIO CIRINO (1888-1983) OIL ON BOARD, THE TRUDGER, 8 X10”, COND. EXCELLENT, SIGNED LL. 800/1,000

17. GILBERT TUCKER MARGESON (1852-1949) OIL ON BOARD, ROCKPORT HARBOR, 9 X12”, COND. VERY GOOD, SIGNED LL. 600/800

18. UNKNOWN ARTIST, OIL ON BOARD (19TH CENT.), SHIPS AT SEA, 7 X12”, COND. VERY GOOD, NOT SIGNED. 1,200/1,800

19. JAMES KING BONNAR (1885-1961) OIL ON CANVAS, BOATS IN GLOUCESTER HARBOR, 28 X35”, COND. VERY GOOD, SIGNED LR. 5,000/7,000

20. MARTHA MOORE (1907-1982) OIL ON BOARD, BUTTERFLY GARDEN, 12 X15 3/4”, COND. GOOD, SIGNED LL. 300/500

21. WILLIAM TYSON BRUNDAGE (1849-1923) OIL ON BOARD, WINGAERSHEEK DUNES, 5 X8 1/2”, COND. VERY GOOD, SIGNED LL. 400/600

22. ANTONIO CIRINO (1888-1983) OIL ON BOARD, SUMMER STORM OF ‘54, 8 X10”, COND. VERY GOOD, SIGNED LR. 900/1,200

23. BERNARD COREY (1914-2000) OIL ON CANVAS/ ON MASONITE, OLD NEW ENGLAND, 9 X14”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

24. PAUL STRISIK (1918-1998) OIL ON CANVAS (c.EARLY 60’S), SPRING AFTERNOON, 16 X20”, COND. EXCELLENT, SIGNED LR. 3,000/4,000

25. AL CZEREPAK (1928-1986) ACRYLIC ON BOARD, BLACK MANTILLA, 22 1/2X11 1/2”, COND. VERY GOOD, SIGNED LR. 1,200/1,500

26. GUNNAR BJAREBY (1899-1967) WATERCOLOR (c.1943), MENDING THE NETS, 20 X27”, COND. EXCELLENT, SIGNED LR. 1,200/1,800

27. HOWARD A. CURTIS (1906-1989) OIL ON CANVAS BOARD, TRANSIENT WAVES, 12 X16”, COND. VERY GOOD, SIGNED LR. 700/900

28. ALDRO T. HIBBARD (1886-1972) OIL ON CANVAS, FARMHOUSE IN WINTER, 17 3/4 X25 3/4”, COND. VERY GOOD, SIGNED LL. 7,000/9,000

29. MARGUERITE PEARSON (1898-1978) OIL ON CANVAS BOARD (c.1965), BY THE SPINNING WHEEL, 10 X8”, COND. VERY GOOD, SIGNED LL. 2,000/3,000

30. STOW WENGENROTH (1906-1978) WATERCOLOR, RIBBON STILL LIFE #2, 16 X12”, COND. EXCELLENT, SIGNED LR. 2,000/3,000

31. PAUL STRISIK, HARRY BALLINGER, ROGER CURTIS - OIL ON CANVAS, UNTITLED DEMO PAINTED AT NSAA IN 1981, 30 X44“, COND. EXCELLENT, SIGNED BY ALL THREE ARTISTS LR. 1,000/2,000

32. GENEVIEVE WILHELM (1908-2005) WATERCOLOR, MAINE HARBOR, 9 X11 3/4”, COND. VERY GOOD, SIGNED LL. 400/600

33. BLANCHE E. COLMAN (1874-1959) WATERCOLOR, ATLANTIC AVE., 13 X11”, COND. GOOD, SIGNED LR. 200/400

34. MARIA LISZT (2OTH CENT.) OIL ON BOARD, READY TO SAIL, 12 X9”, COND. VERY GOOD, SIGNED LL. 600/800

35. ELIZABETH WITHINGTON (RAA 1923-1960, D.1962) GOUACHE (C.1945), GLOUCESTER WATERFRONT, 10 X9”, COND. EXCELLENT, SIGNED LR. 500/700

36. SAM COTY (1908-1985) OIL ON CANVAS, BREAKING SURF, 9 X12”, COND. VERY GOOD, SIGNED LR. 200/400

37. DAVID MILLARD (1918-2002) WATERCOLOR, WHITE HOUSE, EARLY SPRING, 10 1/2 X14 1/2”, COND. EXCELLENT, SIGNED LR. 900/1,200

38. HARRY BALLINGER (1893-1993) OIL ON CANVAS BOARD, GLOUCESTER WHARF, 9 X12”, COND. EXCELLENT, SIGNED LR. 900/1,200

39. KEN GORE (1911-1991) OIL ON CANVAS/ ON MASONITE, SAND DUNES, 16 X24”, COND. VERY GOOD, SIGNED LL. 1,100/1,300

40. JOHN CHETCUTI (1900-1976) WATERCOLOR, HEADING HOME, 9 1/2 X13 1/4”, COND. VERY GOOD, SIGNED LL. 400/600

41. PAUL STRISIK (1918-1998) OIL ON CANVAS (C.1990), AUTUMN IN VERMONT, 12 X20”, COND. EXCELLENT, SIGNED LL. 3,000/5,000

42. AL CZEREPAK (1928-1986) WELDED STEEL & WOOD, SPARAFUCCILE, 16” HIGH, COND. EXCELLENT, SIGNED ON BASE. 2,000/3,000

43. ANTONIO CIRINO (1888-1983) OIL ON BOARD, SNOWY AFTERNOON, 8 X10”, COND. VERY GOOD, SIGNED LL. 800/1,000

44. ATTRIBUTED TO THERESA BERNSTEIN (1891-2002) OIL ON CANVAS, THE THREE GRACES, 24 X16”, COND. GOOD, NOT SIGNED. 5,000/10,000

45. ABE ROTHSTEIN (1908-1999) ACRYLIC ON CANVAS, HILLSIDE FARM, VERMONT, 30 X40”, COND. EXCELLENT, SIGNED LL. 3,500/4,500

46. CONSTANTINE ARVANITES (1921-1998) COLLAGE/ MIXED MEDIA, STUDY #11, 6 X6”, COND. VERY GOOD, SIGNED LR. 300/500

47. CONSTANTINE ARVANITES (1921-1998) COLLAGE/ MIXED MEDIA, STUDY #12, 6 X6”, COND. VERY GOOD, SIGNED LR. 300/500

48. CONSTANTINE ARVANITES (1921-1998) COLLAGE/ MIXED MEDIA, STUDY #10, 6 X6”, COND. VERY GOOD, SIGNED LR. 300/500

49. WARD MANN (1921-2005) OIL ON MASONITE (C.1979), HAULING IN, 24 X30”, COND. VERY GOOD, SIGNED LR. 1,500/2,000

50. JOSEPH SANTORO (1908-1998) WATERCOLOR, ROCKPORT QUARRY, 21 X27”, COND. EXCELLENT, SIGNED LL. 1,000/1,500

51. GEORGE W. HARVEY (1855-1930) WATERCOLOR, DUTCH BEACH SCENE, 17 1/2 X20 1/2”, COND. GOOD, SIGNED LL. 1,200/1,800

52. HARRY BALLINGER (1893-1993) OIL ON CANVAS, GLOUCESTER FOG, 16 X20”, COND. EXCELLENT, SIGNED LR. 1,500/2,500

53. STEPHEN G. MANIATTY (1910-1984) OIL ON CANVAS, BASS ROCKS, GLOUCESTER, 20 X30”, COND. GOOD, SIGNED LR. 1,100/1,300

54. ATTRIBUTED TO AIDEN LASSELL RIPLEY (1896-1969) WATERCOLOR, RIVERSIDE FARM, 9 3/4 X13 3/4”, COND. EXCELLENT, NOT SIGNED. 3,000/5,000

55. MARGUERITE PEARSON (1898-1978) OIL ON CANVAS BOARD, ZINNIAS, 20 X24”, COND. EXCELLENT, SIGNED LR. 1,000/3,000

56. LEIGHTON R. CRAM (1895-1981) OIL ON CANVAS, ROCKPORT QUARRY, 30 X36”, COND. GOOD, SIGNED LR. 1,000/1,500

57. KEN GORE (1911-1991) OIL ON CANVAS, LAKE HOUSE, 25 X30”, COND. GOOD, SIGNED LL. 1,500/2,500

58. STOW WENGENROTH (1906-1978) WATERCOLOR, RIBBON STILL LIFE #1, BABIES BREATH, 16 X12”, COND. EXCELLENT, SIGNED LR. 2,000/3,000

59. GORDON GRANT (1875-1962) ETCHING (16/100), THE ROCK FISHERMAN, 8 X10”, COND. EXCELLENT, SIGNED LR. 600/900

60. GORDON GRANT (1875-1962) ETCHING, FIRST SNOW, GLOUCESTER - 1946, 9 X12”, COND. VERY GOOD, SIGNED LR. 400/600

61. GORDON GRANT (1875-1962) ETCHING, DOCKSIDE SCENE, 8 X10”, COND. EXCELLENT, SIGNED LR. 300/500

62. ANTHONY THIEME (1888-1954) ETCHING, OLD SALT BARQUE, 10 X13 1/2”, COND. GOOD, SIGNED LR. 800/1,200

63. STOW WENGENROTH (1906-1978) LITHOGRAPH, BIRD OF FREEDOM (STUCKEY #116), 16 X12”, COND. VERY GOOD, SIGNED LR. 700/900

64. HARRISON CADY (1875-1970) GRAPHITE, COMING TO TOWN, 12 X16”, COND. EXCELLENT, SIGNED LL. 1,200/1,800

65. REYNOLDS BEAL (1867-1951) COLORED PENCIL (c.1900), OLD MYSTIC FROM SKIFF, 9 1/2 X13 1/2”, COND. VERY GOOD, SIGNED LR. 600/800

66. JOHN SINGER SARGENT (1856-1925) REPRODUCTION, MURAL STUDY, 16” RADIUS, COND. EXCELLENT. 300/500

67. LESTER HORNBY (1882-1956) ETCHING - 1912 (2ND STATE), LE FANAGE, VERNEUIL, MARNE, 8 3/4 X10 3/4”, COND. VERY GOOD, SIGNED LR. 250/350

68. ANTHONY THIEME (1888-1954) ETCHING, WINTER NIGHT, 10 X8“, COND. VERY GOOD, SIGNED LR. 500/700

69. STOW WENGENROTH (1906-1978) LITHOGRAPH, MORNING LIGHT, LANESVILLE (STUCKEY #357), 8 1/2 X13”, COND. VERY GOOD, SIGNED LR. 500/700

70. ALAN CRANE (1901-1969) LITHOGRAPH, MOTIF #1, 9 1/2 X13 1/2”, COND. GOOD, SIGNED LR. 200/400

71. STOW WENGENROTH (1906-1978) LITHOGRAPH, WINTER MOON (STUCKEY #315), 15 X10 1/2”, COND. EXCELLENT, SIGNED LR. 600/800

72. GLADYS WILKINS MURPHY (1907-1985) COLORED WOOD BLOCK, MOTIF #1, 8 X10“, COND. GOOD, SIGNED LR. 150/350

73. AL CZEREPAK (1928-1986) GRAPHITE, CELEBRATION INVITATION, 12 X8”, COND. GOOD, SIGNED UR. 100/300

74. EDWYN S. CLYMER (B.1871, RAA 1928-1930) ETCHING, GLOUCESTER SCHOONERS, 7 1/4 X5 3/4”, COND. FAIR, SIGNED LR,LL. 200/400

75. RICHARD HAYLEY LEVER (1876-1958) ETCHING (c.1926),GLOUCESTER HARBOR LANDSCAPE, 4 1/2 X6”, COND. VERY GOOD, SIGNED LR. 250/450

76. STOW WENGENROTH (1906-1978) LITHOGRAPH, OWLS (STUCKEY #94), 15 3/4 X12 1/2”, COND. VERY GOOD, SIGNED LR. 700/900

77. TOD LINDENMUTH (1885-1976) WOODBLOCK, FISHERMAN, 3 3/4 X5 1/4”, COND. VERY GOOD, SIGNED (INITIALED LR). 200/400

78. ANTHONY THIEME (1888-1954) ETCHING, ANCIENT VILLAGE, 6 X7 1/4”, COND. EXCELLENT, SIGNED PLATE LL. 300/500

79. EDWYN S. CLYMER (B.1871, RAA 1928-1930) ETCHING (c.1929), OUR LADY OF GOOD VOYAGE, GLOUCESTER, 7 1/4 X5 1/2”, COND. GOOD, SIGNED LL. 200/400

80. STOW WENGENROTH (1906-1978) LITHOGRAPH, CEDAR WAXWING (STUCKEY #287), 15 X8”, COND. GOOD, SIGNED LR. 500/700

81. ALAN CRANE (1901-1969) LITHOGRAPH, MEXICAN SCENE, 9 1/2 X13 1/2”, COND. VERY GOOD, SIGNED LR. 200/400

82. KEN GORE (1911-1991) OIL ON CANVAS, MEN ON THE DOCK, 25 X30”, COND. VERY GOOD, SIGNED LR. 2,000/3,000

83. WINIFRED JACKMAN HIBBARD (1898-1986) WATERCOLOR, SUNLIT SURF, 9 1/2 X14”, COND. EXCELLENT, SIGNED LL. 400/600

84. LESTER HORNBY (1882-1956) WATERCOLOR (c.1940‘S), THE HUNT - ESSEX, 10 3/4 X15”, COND. EXCELLENT, SIGNED LL. 300/500

85. FRANCIS BUTLER (1894-1984) OIL ON CANVAS, LANDSCAPE, 24 X30”, COND. VERY GOOD, SIGNED LR. 900/1,200

86. MARGUERITE PEARSON (1898-1978) WATERCOLOR, POPPIES & LARKSPUR, 11 1/4 X8 1/2”, COND. VERY GOOD, SIGNED LL. 500/700

87. JOHN A. COOK (1870-1936) WATERCOLOR, GLOUCESTER HARBOR, 7 X11”, COND. FAIR (CREASE IN LEFT CENTER), SIGNED LL. 400/600

88. WINIFRED JACKMAN HIBBARD (1898-1986) WATERCOLOR, THE QUIET SEASON, 10 X14”, COND. EXCELLENT, SIGNED LR. 300/500

89. ROGER W. CURTIS (1910-2000) OIL ON CANVAS, WIND & SURF, 16 X30”, COND. VERY GOOD, SIGNED LR. 2,000/3,000

90. ATTRIBUTED TO MARGUERITE PEARSON (1898-1978) WATERCOLOR, FLOWERS IN BLUE VASE, 11 X8 1/4”, COND. GOOD, NOT SIGNED. 450/650

91. JOHN B. FOSTER (19TH/ 20TH CENT.) WATERCOLOR, GLOUCESTER, 8 X13 1/2”, COND. GOOD, SIGNED LL. 500/800

92. OSCAR ANDERSON (1873-1953) OIL ON BOARD (c.1920), EARLY MORNING, 14 X10”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

93. CHARLES PAUL GRUPPE (1860-1940) WATERCOLOR/ GOUACHE, WITH MOTHER, 14 X10 1/2”, COND. VERY GOOD, SIGNED LR. 3,000/5,000

94. W. LESTER STEVENS (1888-1969) OIL ON CANVAS BOARD, BASS ROCKS, GLOUCESTER, 16 X20”, COND. VERY GOOD, SIGNED LR. 2,000/4,000

95. KEN GORE (1911-1991) OIL ON MASONITE, TREES, 20 X24”, COND. VERY GOOD, SIGNED LL. 2,000/4,000

96. MORRIS HALL PANCOAST (1877-1963) OIL ON BOARD (C.1934), GLOUCESTER HARBOR, 12 X16”, COND. VERY GOOD, SIGNED LL (PAINTING REPRODUCED IN AMERICAN ART ANALOG). 2,500/3,500

97. OSCAR ANDERSON (1873-1953) OIL ON BOARD, LANDSCAPE, 8 X10”, COND. VERY GOOD, SIGNED (INITIALED LR). 600/800

98. ATTRIBUTED TO HENRY HENSCHE (1901-1992) OIL ON MASONITE, AUTUMN LANDSCAPE, 14 x18", COND. VERY GOOD, NOT SIGNED. 3,000/5,000

99. JOHN WENTWORTH (1911-1993) OIL ON CANVAS BOARD, WINTER IN THE WOODS, 10 X14”, COND. VERY GOOD, SIGNED LR. 500/700

100. OTIS COOK (1900-1980) OIL ON CANVAS, THE OLD MILL, 20 X24”, COND. EXCELLENT, SIGNED LR. 3,000/4,000

101. GUNNAR BJAREBY (1899-1967) OIL ON CANVAS, LOBSTER BUOYS, LANESVILLE, 30 X36”, COND. EXCELLENT, SIGNED LR, (EXHIBITED AT NSAA IN 36TH ANNUAL EXHIBITION). 3,000/5,000

102. FRANK BEATTY (1899-1984) PASTEL, DOCK SQUARE, ROCKPORT, 8 3/4 X11 1/2”, COND. GOOD, SIGNED LR. 400/700

103. JERUSH MONTEZ (20TH CENT.) OIL ON CANVAS (c.1965), SEASCAPE, 18 X24”, COND. VERY GOOD, SIGNED LR. 600/800

104. DORIS L. GOODHUE (RAA 1944-1991, D.1991) OIL ON CANVAS, FLOWERS IN A VASE, 16 X20”, COND. VERY GOOD, SIGNED LR. 200/400

105. JAMES KING BONNAR (1885-1961) OIL ON CANVAS BOARD, ROCKPORT LOBSTER SHACKS, 16 X20”, COND. VERY GOOD, SIGNED LR. 1,200/1,500

106. IVER ROSE (1899-1972) OIL ON MASONITE, HI YA FOLKS, 33 X26”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

107. C.T. WALLACE (20TH CENT.) OIL ON BOARD, PEONIES, 14 X12”, COND. GOOD, SIGNED LL. 300/500

108. MILDRED JONES (1899-1992) WATERCOLOR, SPRING BOUQUET, 18 1/2 X13 1/2”, COND. VERY GOOD, SIGNED LR. 300/500

109. HELEN VANWYK (1930-1994) OIL ON MASONITE, BABY FOOT, 14 X18”, COND. GOOD, SIGNED LR. 600/800

110. TAD KLODNICKI (1904-1982) WATERCOLOR, FURROWS, 14 X21”, COND. VERY GOOD, SIGNED LR. 600/900

111. GILBERT T. MARGESON (1852-1949) OIL ON CANVAS BOARD, THE DORYMAN, 12 X16”, COND. FAIR, SIGNED LL. 400/600

112. REYNOLDS BEAL (1867-1951) MIXED MEDIA, CIRCUS SCENE, 10 1/2 X14”, COND. EXCELLENT, SIGNED LR. 600/800

113. ARTHUR R. SAFFORD (1901-1992) OIL ON CANVAS, NEXT MOVE – THERESA BERNSTEIN & WILLIAM MEYEROWITZ, 16 X20”, COND. VERY GOOD, SIGNED LR. 1,000/2,000

114. MARGARET FITZHUGH BROWNE (1884-1972) OIL ON CANVAS, PORTRAIT OF ARTHUR SAFFORD - PRESIDENT OF NSAA, 34 X40”, COND. GOOD,SIGNED LR. 1,000/2,000

115. ROBERTA THRESHER (RAA 1974-2002, D.2002) WATERCOLOR, IN FLIGHT, 5 X7”, COND. VERY GOOD, SIGNED LR. 200/400

116. DORA SHEARER APPLETON (LATE 19TH/ EARLY 20TH CENT.), WATERCOLOR (c.1883), FAMILIAR SHORE, 6 1/2 X9 1/2”, COND. EXCELLENT, SIGNED (INITIALED LR). 300/500

117. JOSEPH SANTORO (1908-1998) WATERCOLOR, POUNDING SURF, 7 1/4 X10 1/4”, COND. EXCELLENT, SIGNED LL. 200/400

118. JOHN C. PELLEW (B. 1903), WATERCOLOR, DOCKSIDE GLOUCESTER, 17 X23”, COND. VERY GOOD, SIGNED LR. 1,200/1,800

119. ATTRIBUTED TO FRANK BEATTY (1899-1984), OIL ON BOARD, MOTIF #1, 9 X12”, COND. GOOD, NOT SIGNED. 400/600

120. MARGUERITE PEARSON (1898-1978), OIL ON CANVAS BOARD, PANSIES, 8 X10”, COND. VERY GOOD, SIGNED LL. 500/700

121. ALDRO T. HIBBARD (1886-1972) OIL ON BOARD, CHIOGGIA BOATS, 9 X12”, COND. EXCELLENT, SIGNED LR. 5,000/8,000

122. ALDRO T. HIBBARD (1886-1972) OIL ON CANVAS, ON THE ROAD TO TOWNSEND, 22 X32”, COND. EXCELLENT, SIGNED LR. 18,000/ 25,000

123. UNKNOWN ARTIST, OIL ON BOARD, LAKE GENEVA, 6 X 9”, COND. GOOD, NOT SIGNED. 900/1,200

124. J.J. ENWRIGHT (B.1905), OIL ON CANVAS, AT THE PIER, 8 X10”, COND. EXCELLENT, SIGNED LR. 500/700

125. ANTHONY THIEME (1888-1954) OIL ON CANVAS BOARD, SOUTH ST., AUTUMN, 12 X16”, COND. EXCELLENT, SIGNED LL. 10,000/ 15,000

126. AL CZEREPAK (1928-1986) OIL ON CANVAS, CARMEL, 21 X13”, COND. GOOD, SIGNED LL. 500/800

127. JERRI RICCI (1916-1996) WATERCOLOR, CHINATOWN, 16 3/4 X26”, COND. EXCELLENT, SIGNED LL. 1,500/2,000

128. JOHN F. GOULD (1906-1996) OIL ON MASONITE, SILENT NIGHT, HOLY NIGHT - CHRISTMAS EVE IN ROCKPORT, 28 X40”, COND. EXCELLENT, SIGNED LL. 15,000/ 20,000

129. ATTRIBUTED TO FRANK BEATTY (1899-1984) OIL ON BOARD, ROCKPORT, 9 X12“, COND. GOOD, NOT SIGNED. 400/600

130. MARGUERITE PEARSON (1898-1978) OIL ON CANVAS BOARD, BREAKFAST SEASIDE, 8 X10”, COND. VERY GOOD, SIGNED LR. 1,200/1,500

131. AL CZEREPAK (1928-1986) COLLAGE & MIXED MEDIA, FISH FRY, 8 1/2 X11”, COND. EXCELLENT, SIGNED LR. 600/800

132. WALTER BOLLENDONK (1897-1977) OIL ON CANVAS (c.1962), CHOPPY SEAS, BASS ROCKS, 20 X24”, COND. EXCELLENT, SIGNED LL. 1,500/2,000

133. ROGER W. CURTIS (1910-2000) OIL ON CANVAS, AFTER THE STORM, 28 X36”, COND. EXCELLENT, SIGNED LR. 2,000/3,000

134. VIRGINIA CARTEN (1906-1986) OIL, FOUR IN A BOAT, 12 X16”, COND. GOOD, SIGNED LR. 400/600

135. MARTHA MOORE (1907-1982) OIL ON CANVAS, LANDSCAPE WITH SILO, 18 X24”, COND. GOOD, NOT SIGNED. 500/700

136. MAURICE COMPRIS (1885-1939) OIL ON CANVAS (c.1931), WINTER AFTERNOON, 40 X36”, COND. GOOD, SIGNED LL. 8,000/
10,000

137. IVER ROSE (1899-1972) OIL ON CANVAS, GIFT OF FLOWERS, 24 X18”, COND. EXCELLENT, SIGNED LR. 1,200/1,500

138. ATTRIBUTED TO HENRY HENSCHE (1901-1992) OIL ON MASONITE, SPREADING TREE, 16 X20”, COND. VERY GOOD, NOT SIGNED. 3,000/5,000

139. LESTER HORNBY (1882-1956) WATERCOLOR, RYE ‘39, 15 X21”, COND. EXCELLENT, SIGNED LR. 700/900

140. BERNARD COREY (1914-2000) OIL ON CANVAS/ ON BOARD, WEST RIVER, 9 X14”, COND. EXCELLENT, STAMPED LL. 2,000/3,000

141. LOU BURNETT (1907-1999) OIL ON BOARD, JERUSALEM, 18 X24”, COND. VERY GOOD, SIGNED LL. 500/700

142. WILLIAM BRYANT (1902-1997) OIL ON CANVAS (C.1930), ROCKPORT QUARRY, 25 X30” COND. EXCELLENT, SIGNED LL. 3,000/5,000

143. GIRAGOS DER GARABEDIAN (1892-1980) OIL ON BOARD, RED BARN, 12 X16”, COND. GOOD, SIGNED LL. 400/600

144. CHESLIE D’ANDREA (1913-1999) OIL ON CANVAS BOARD, THE DEEP BLUE SEA, 11 X14”, COND. VERY GOOD, SIGNED LL. 400/600

145. CHARLES RICHERT (1880-1974) OIL ON CANVAS BOARD, CAPE ANN, 12 X16”, COND. EXCELLENT, ESTATE STAMPED. 1,200/1,600

146. STANLEY WOODWARD (1890-1970) OIL ON CANVAS, BASS ROCKS, 28 X36”, COND. VERY GOOD, SIGNED LR. 6,000/9,000

147. JAMES KING BONNAR (1885-1961) OIL ON CANVAS, GLOUCESTER BOATS, 20 X24”, COND. VERY GOOD, SIGNED LR. 2,000/2,500

148. JOHN LOUGHLIN (1931-2004) WATERCOLOR, FLYING OVER THE MARSHES, 13 X21”, COND. EXCELLENT, SIGNED LL. 800/1,200

149. JOHN A. COOK (1870-1936) WATERCOLOR, AT THE WHARF, 10 1/2 X7”, COND. EXCELLENT, SIGNED LR. 400/600

150. AL CZEREPAK (1928-1986) ACRYLIC ON WOOD, GLOUCESTER HARBOR, 6 1/2 X21”, COND. GOOD, SIGNED LL. 700/900

151. GLADYS WILKINS MURPHY (1907-1985) WATERCOLOR, MEXICAN STREET SCENE, 8 1/4 X12 1/4”, COND. VERY GOOD, SIGNED LL. 400/600

152. MARGUERITE PEARSON (1898-1978) OIL ON CANVAS BOARD, TULIPS & BLEEDING HEART, 20 X24”, COND. EXCELLENT, SIGNED LR. 3,000/5,000

153. JAMES KING BONNAR (1885-1961) OIL ON CANVAS, GLOUCESTER FISH NETS, 16 X20”, COND. GOOD, SIGNED LR. 1,500/2,000

154. AL CZEREPAK (1928-1986) MIXED MEDIA ON PAPER, UNLOADING THE CATCH, 14 X10 3/4”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

155. PAUL STRISIK (1918-1998) OIL ON CANVAS, GLOUCESTER WHARVES, 16 X20” COND. EXCELLENT, SIGNED LR. 3,500/4,500

156. LESTER HORNBY (1882-1956) WATERCOLOR, UNIVERSALIST CHURCH, GLOUCESTER, 19 X14”, COND. EXCELLENT, SIGNED LL. 600/800

157. NELLE C. SIEG (1887-1960) OIL ON BOARD, FLORAL STILL LIFE, 16 X20”, COND. VERY GOOD, SIGNED LL. 600/900

158. ROGER W. CURTIS (1910-2000) OIL ON CANVAS, SURF, 22 X28”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

159. ANTONIO CIRINO (1888-1983) OIL ON MASONITE, HOME FROM SCHOOL, 10 X12”, COND. EXCELLENT, SIGNED LL. 900/1,200

160. BERNARD COREY (1914-2000) OIL ON BOARD, FISHERMAN IN STREAM, 10 X14”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

161. CAMILLO ADRIANI (19TH/20TH CENT.) OIL ON CANVAS, GLOUCESTER, 25 X30”, COND. VERY GOOD, SIGNED LR. 5,000/7,000

162. BERNARD COREY (1914-2000) OIL ON BOARD, ELLIOT FARM - S. WARDSBORO, VT, 10 X14”, COND. EXCELLENT, SIGNED LR. 1,500/2,000

163. ANTHONY THIEME (1888-1954) OIL ON BOARD, MOTIF #2, 12 X16”, COND. EXCELLENT, SIGNED LL. 10,000/15,000

164. RUSS WEBSTER (1904-1984) OIL ON CANVAS, WATERFRONT AT DAWN, 24 X30”, COND. VERY GOOD, SIGNED LL. 600/900

165. CHARLES R. KNAPP (RAA 1920-1940) WATERCOLOR, CAPE ANN HOUSES, 151/2 X131/2”, COND. EXCELLENT, SIGNED LL. 800/1,200

166. RUTH JEWELL (1908-1999) OIL ON BOARD, FOGGY HARBOR, 16 X20”, COND. EXCELLENT, SIGNED LR. 1,800/2,200

167. ABRAHAM ROSENTHAL (1886-1963) OIL ON CANVAS BOARD (c.1957), FISHING BOATS, 20 X16”, COND. FAIR, SIGNED LR. 600/800

168. PAUL STRISIK (1918-1998) OIL ON MASONITE (c.1964), BASS ROCKS, 16 X24”, COND. EXCELLENT, SIGNED LL. 2,000/4,000

169. FRANK BEATTY (1899-1984) PASTEL (c.1958), ROCKPORT STREET SCENE, 9 3/4 X12 1/2”, COND. VERY GOOD, SIGNED LR. 400/700

170. CHARLES PAUL GRUPPE (1860-1940) WATERCOLOR, ROCKY NECK, GLOUCESTER, 13 1/4 X19 1/4” COND. EXCELLENT, SIGNED LL. 2,000/3,000

171. LOU BURNETT (1907-1999) OIL ON CANVAS, BIG SISTER, 18 X24”, COND. GOOD, ESTATE STAMPED. 900/1,200

172. JOHN LOUGHLIN (1931-2004) OIL ON BOARD, JAMAICA, VT, 10 X15”, COND. VERY GOOD, SIGNED LL. 600/800

173. DORA SHEARER APPLETON (LATE 19TH/ EARLY 20TH CENT.) WATERCOLOR (c.1886), IPSWICH HAY MARSH, 4 3/4 X12”, COND. EXCELLENT, SIGNED (INITIALED LR). 300/500

174. JOHN WENTWORTH (1911-1993) OIL ON CANVAS, VERMONT FALL, 12 X16”, COND. EXCELLENT, SIGNED LR. 600/900

175. HENRY HENSCHE (1901-1992) OIL ON MASONITE, THE MEADOWS, 16 X20”, COND. EXCELLENT, SIGNED LR. 5,000/7,000

176. OTIS COOK (1900-1980) OIL ON CANVAS, FARM ROAD, 20 X24”, COND. VERY GOOD, SIGNED LL. 3,000/4,000

177. AL CZEREPAK (1928-1986) OIL ON CANVAS, IRISH COAST, 24 X36”, COND. VERY GOOD, SIGNED LL. 6,000/8,000

178. BERNARD COREY (1914-2000) WATERCOLOR, MAINE COAST, 8 1/4 X14”, COND. EXCELLENT, SIGNED LR. 1,200/1,800

179. THERESA BERNSTEIN (1891-2002) OIL ON CANVAS (c.1913), THE COMING OF SPRING, 20 X22”, COND. EXCELLENT, SIGNED LL. 10,000/15,000

180. JACOB GREENLEAF (1887-1968) OIL ON CANVAS BOARD, BIRDS OF A FEATHER FLOCK TOGETHER, 18 X14”, COND. VERY GOOD, SIGNED LR. 1,200/1,500

181. L. SCOTT CROFT (1911-1980), OIL ON MASONITE, DAY BREAK, 15 X24”, COND. VERY GOOD, SIGNED LR. 300/500