1. George Demetrios (1896-1974) Porcelain, Matthew Natti - Lanesville, 11” high, Cond. Excellent, Signed. 1,000/1,500
2. Al Czerepak (1928-1986) Oil on canvas, Rhododendrons, 25 x 18”, Cond. Very Good, Signed. 1,500/2,000
3. Henry Wolfson (20th Cent.) Oil on board, Fishing Boats in Harbor, 9 x 12”, Cond. Good, Signed. 400/600
4. Phillip Osgood (20th Cent.) Oil on board, Gloucester, 10 x 14”, Cond. Very Good, Signed (1928). 1,000/1,500
5. Narcissa Gellatly Chamberlain (1899-1988) Watercolor, Street Scene, Italian Hill Town, 13 1/2 x 10 1/2”,
Cond. Very Good, Signed (on back of w/c). 300/500
6. J.J. Enwright (1911-2001) Oil on canvas, Winter in Gloucester, 24 x 36”, Cond. Excellent, Signed. 2,500/3,500
7. Theresa Bernstein (1890-2002) Etching, Gloucester Fisherman, 6 1/2 x 8 1/2”, Cond. Good, Signed. 200/400
8. Ms. Andrée Ruellan (b.1905) Lithograph, Mending of the Nets, Rockport, 8 1/4 x 13 1/2”, Cond. Excellent,
Signed. 300/500
9. J.A. Cook (1870-1936) Watercolor, Sailboat at Dock, 19 x 12 1/2”, Cond. Excellent, Signed. 1,000/1,500
10. P. Amundsen (20th Cent.) Oil on canvas, High Tide, Rockport, 24 x 30”, Cond. Fair, Signed. 900/1,200
11. Ruth Nettleton (1901-1973) Oil on canvas, Vermont Scene, 8 x 10”, Cond. Very Good, Signed. 600/800
12. Constantine Arvanites (1921-1998) Collage, Monastic Bell, 12 x 9”, Cond. Very Good, Signed. 200/400
13. Marguerite Pearson (1898-1978) Oil on canvas mounted on board, View from Marmion Way, 8 x 10”,
Cond. Very Good, Signed. 900/1,200
14. James Sessions (1882-1962) Watercolor, Mending the Nets, 13 3/4 x 20”, Cond. Excellent, Signed. 2,000/3,000
15. Paul Strisik (1918-1998) Oil on canvas, Sunlit Path, 20 x 24”, Cond. Very Good, Signed. 3,000/5,000
16. George Aarons (1896-1980) Plaster bas relief, Psalms 85: 10-11, 3 7/8 x 7 3/8”, Cond. Very Good, Signed. 700/900
17. Bob Nally (RAA 1963-1991, d.1991) Oil on board, Tidal Movement, 5 x 7”, Cond. Very Good, Signed. 250/350
18. William Meyerowitz (1887-1981) Oil on canvas board, The Chase, 7 1/2 x 11 1/2”, Cond. Fair, Signed. 1,200/1,500
19. Roger Curtis (1910-2000) Oil on canvas, Rolling Sea, 24 x 36”, Cond. Excellent, Signed. 2,000/3,000
20. George Aarons (1896-1980) Plaster bas relief, Mercy, 3 7/8 x 7 3/8”, Cond. Very Good, Signed. 700/900
21. Al Czerepak (1928-1986) Oil, Somana, 5 x 4 7/8”, Cond. Excellent, Signed. 600/900
22. George L. Noyes (1864-1954) Oil on canvas board, Spring Morning - Assisi, 7 1/2 x 7 1/2”, Cond. Very Good,
Signed. 1,500/2,000
23. Bernard Corey (1914-2000) Oil on canvas, Sunrise, Nova Scotia, 20 x 24”, Cond. Excellent, Signed. 3,000/5,000
24. Gordon Grant (1875-1962) Watercolor, Harbor Scene, 14 3/4 x 21”, Cond. Excellent, Signed. 1,800/2,500
25. Constantine Arvanites (1921-1998) Collage, Study #27, 11 x 11”, Cond. Very Good, Signed. 200/400
26. Constantine Arvanites (1921-1998) Collage, Study #26, 11 x 11”, Cond. Very Good, Signed. 200/400
27. Paul Strisik (1918-1998) Watercolor, Along the Shore, 7 x 10”, Cond. Excellent, Signed. 1,500/2,000
28. C. Ricciardi (20th Cent.) Oil on canvas, Gloucester Harbor, 24 x 36”, Cond. Fair, Signed. 1,500/2,000
29. James King Bonnar (1885-1961) Oil on canvas board, Old Schooner in Gloucester, 20 x 16”, Cond. Very Good,
Signed. 1,500/2,000
30. Al Czerepak (1928-1986) Hand Painted Wood Carving, Goose Girl, 14 1/2 x 9 3/4”, Cond. Excellent, Signed. 2,000/3,000
31. Aldro T. Hibbard (1886-1972) Oil on canvas mounted
on board, Low Tide, 14 x 18“, Cond. Good, Signed. 10,000/15,000
32. Luigi Lucioni (1900-1988) Etching, Barn, 10 x 12 3/4”, Cond. Very Good, Signed. 400/600
33. Al Czerepak (1928-1986) Wood carving, Fisherman, 35 x 13”, Cond. Excellent, Signed. 3,000/4,000
34. Stephen Parrish (1846-1938) Etching & Dryppoint, Low Tide, 5 1/4 x 9 1/4”, Cond. Very Good, Signed. 350/450
35. Stow Wengenroth (1906-1978) Lithograph (ed. of 50), House at Port Clyde (Stuckey #80), 9 3/4 x 13 1/4”,
Cond. Very Good, Signed. 900/1,200
36. Ken Gore (1911-1991) Oil on masonite, Sand Bars, 24 x 30”, Cond. Good, Signed (1968). 2,000/3,000
37. Leonard Mersky (20th Cent.) Copper Plate Etching (ed. 122/300), Long Wharf, Menemsha, 7 x 8 3/4”, Cond. Excellent, Signed. 400/600
38. Theresa Bernstein (1890-2002) Watercolor, Young Woman, 11 x 8”, Cond. Excellent, Signed. 400/600
39. R.N.C. (20th Cent.) Mixed Media, Beach Scene, 6 x 9 1/2”, Cond. Very Good, Signed. 200/400
40. Antonio Cirino (1888-1983) Oil on canvas, Fall Landscape, 25 x 30”, Cond. Good, Estate Stamped. 1,200/1,800
41. H. Boylston Dummer (1878-1945) Oil on board, Ocean Bound, 10 x 12”, Cond. Good, Signed. 1,200/1,500
42. Bernard Corey (1914-2000) Oil on board, Fall Color, 10 x 16”, Cond. Excellent, Signed. 1,500/2,000
43. Marguerite Pearson (1898-1978) Oil on canvas, After the Ball, 30 x 36”, Cond. Good. Signed. 18,000/25,000
44. Leighton R. Cram (1895-1981) Watercolor, The Village, 8 x 10”, Cond. Excellent, Signed. 900/1,200
45. Marguerite E. Peaslee (1901-1961) Oil on canvas, Dock Square, Rockport, 12 x 16”, Cond. Very Good, Signed. 600/800
46. A.N. Davis (1904-1999) Oil on canvas, Gloucester Schooners, 18 x 22”, Cond. Fair, Signed. 1,200/1,500
47. Albert B. Insley (1842-1937) Oil on canvas, Sails off Davis Neck - 1912, 14 x 20”, Cond. Excellent, Signed. 2,500/3,000
48. Charles H. Richert (1880-1974) Watercolor, Rocky Neck - Gloucester, MA, 15 x 20”, Cond. Very Good,
Signed. 900/1,200
49. Paul Strisik (1918-1998) Oil on canvas, Bass Rocks, 16 x 24”, Cond. Excellent, Signed. 4,000/6,000
50. Ted Kautzky (1896-1953) Watercolor, Winter in Vermont, 21 x 29”, Cond. Excellent, Signed. 1,200/1,800
51. Frederick Mulhaupt (1871-1938) Oil on board, Seascape, 8 x 10”, Cond. Excellent, Signed. 9,000/12,000
52. Bernard Corey (1914-2000) Oil on board, Farm on Hillside - Spencer, MA, 10 x 16”, Cond. Excellent,
Signed. 2,000/2,500
53. W. Lester Stevens (1888-1969) Oil on canvas, Gray Day, Autumn, 24 1/4 x25 3/4”, Cond. Good, Signed. 15,000/20,000
54. William Meyerowitz (1887-1981) Etching, Good Harbor - 1922, 7 x 10”, Cond. Excellent, Signed. 400/600
55. Theresa Bernstein (1890-2002) Etching, Coney Island Penny Arcade at Night, 8 x 10”, Cond. Very Good,
Signed. 400/600
56. Gifford Beal (1879-1956) Etching, Fisherman‘s Daughter, 11 1/2 x 8 1/2”, Cond. Excellent, Signed. 900/1,200
57. Stow Wengenroth (1906-1978) Lithograph, The Watchman (Stuckey #178), 8 7/8 x 14 7/8”, Cond. Excellent,
Signed. 1,500/2,000
58. J. Thurston Marshall (1908-1982) Oil on canvas, Boats in the Harbor, 24 x 36”, Cond. Excellent, Signed. 3,000/4,000
59. (A&B) Harry DeMaine (1880-1951) Pair of 2 Watercolors, Gloucester Harbor I & II, 1 1/2 x 2 1/2”, Cond. Excellent, Signed. 300/500
60. W. Lester Stevens (1888-1969) Oil on canvas, Autumn Color, 13 x 16”, Cond. Very Good, Signed. 4,000/6,000
61. Gianni Cilfone (1908-1990) Oil on canvas, Summer Solitude, 16 x 20”, Cond. Good, Signed. 800/1,200
62. J. Eliot Enneking (1881-1942) Oil on board, The Winding Road, 12 x 16”, Cond. Very Good, Signed. 1,600/2,000
63. Ken Gore (1911-1991) Oil on board, Surf Scene, 12 x 16”, Cond. Fair, Signed. 900/1,200
64. Walter Bollendonk (1897-1977) Oil on canvas, Marshes, 24 x 30”, Cond. Very Good, Signed. 1,500/1,800
65. Harry Ballinger (1893-1993) Oil on canvas, Motif #1, 16 x 24”, Cond. Very Good, Signed. 1,200/1,500
66. Jacob Greenleaf (1887-1968) Oil on canvas, Lanes Cove, 16 x 20”, Cond. Very Good, Signed. 2,000/3,000
67. Bernard Green (1887-1951) Oil on board, Abandoned Pier, Rockport, 18 x 24”, Cond. Good, Signed. 600/900
68. John Levitsky (1922-2002) Oil on canvas board, Anna‘s Boats, 18 x 22“, Cond. Good, Signed. 800/1,200
69. Jacob Greenleaf (1887-1968) Oil on canvas, Roads Crossing, 16 x 12”, Cond. Very Good, Signed. 1,000/1,500
70. Gilbert T. Margeson (1852-1949) Watercolor, Boat at Dock, 10 x 14 1/2”, Cond. Good, Signed. 400/600
71. Gordon Grant (1875-1962) Lithograph, Ships at Dock, 9 x 12”, Cond. Good, Signed. 300/500
72. John Levitsky (1922-2002) Oil on canvas board, Gloucester III, 18 x 24“, Cond. Very Good, Signed. 1,200/1,500
73. Walter Bollendonk (1897-1977) Oil on canvas, New Hampshire Hills, 16 x 20”, Cond. Very Good, Signed. 1,200/1,500
74. John Loughlin (1931-2004) Oil on canvas, Winter, West River, 9 x 12”, Cond. Excellent, Signed. 900/1,200
75. Bernard Corey (1914-2000) Oil on canvas board, Fishing Friends, 13 x 17”, Cond. Excellent, Signed. 2,000/3,000
76. Al Czerepak (1928-1986) Acrylic on board, My Doina, 13 3/4 x 10 3/4”, Cond. Very Good, Signed. 700/900
77. Sidney Wiggins (1883-1940) Oil on canvas, In the Harbor, 16 x 20”, Cond. Very Good, Signed. 900/1,200
78. Theresa Bernstein (1890-2002) Oil on canvas, Sailing Gloucester Harbor, 18 x 21”, Cond. Excellent,
Signed. 6,000/9,000
79. John Loughlin (1931-2004) Watercolor, Lobster Boat Coming Home, 5 x 7”, Cond. Excellent, Signed. 300/500
80. John Loughlin (1931-2004) Watercolor, Winter Landscape, 7 1/2 x 11”, Cond. Excellent, Signed. 200/400
81. Charles Demetropoulos (1912-1976) Watercolor, Hatfield‘s Color Shop, 19 1/2 x 27 1/2”, Cond. Excellent,
Estate Stamped (on back of painting). 1,200/1,500
82. Arthur Safford (1900-1988) Oil on canvas, Autumn Landscape, 24 x 30”, Cond. Excellent, Signed. 2,000/3,000
83. George W. Harvey (1835-1920) Etching, Misty Afternoon, Gloucester, 4 3/4 x 6 7/8”, Cond. Good, Signed. 300/500
84. Harry A. Vincent (1864-1931) Etching, Return of the Fishing Fleet, 4 5/8 x 5 5/8”, Cond. Excellent, Signed. 400/600
85. Attributed to Harrison Cady (1875-1970) Pen & Ink, Bob White & Reddy Fox, 12 1/4 x 9 1/4”, Cond. Excellent,
Not Signed. 500/700
86. John K. Thurston (1865-1955) Watercolor, Drying Sails, Gloucester, 13 3/4 x 21 1/2”, Cond. Very Good, Signed. 300/500
87. John Loughlin (1931-2004) Watercolor, Moonlight Flight, 13 3/4 x 20 3/4”, Cond. Excellent, Signed. 800/1,100
88. George W. Harvey (1835-1920) Etching, Smith‘s Cove, Gloucester, 4 3/4 x 6 7/8“, Cond. Good, Signed. 300/500
89. Theresa Bernstein (1890-2002) Etching, William Meyerowitz Playing the Piano, 6 x 7 1/4”, Cond. Excellent,
Signed. 400/600
90. Harrison Cady (1875-1970) Pen & Ink, Eagle Talking to a Flock of Birds, 13 x 9”, Cond. Excellent,
Signed (1918). 600/900
91. James K. Bonnar (1885-1961) Oil on canvas, Boats at Dock, 25 x 30”, Cond. Very Good, Signed. 2,000/3,000
92. William Meyerowitz (1887-1981) Oil on board, Red Barn, 14 x 12”, Cond. Very Good, Signed. 800/1,200
93. Mayo Sorgman (1912-2006) Watercolor, Couple in Paris, 16 x 12”, Cond. Excellent, Signed. 600/800
94. Jane Freeman (1885-1963) Oil on canvas, Summer in the Village, 25 x 30”, Cond. Very Good, Signed. 3,000/4,000
95. Al Czerepak (1928-1986) Woodcut, The Netmenders, 16 1/2 x 11 1/2”, Cond. Excellent, Signed. 700/900
96. James Sessions (1882-1962) Watercolor, Beach View, 17 1/4 x 21 1/4”, Cond. Excellent, Signed. 1,500/2,000
97. Polly Nordell (1876-1958) Watercolor, Still Life with Morning Glories, 23 1/4 x 19 1/2”, Cond. Good, Signed. 800/1,100
98. A.T. Bricher (1837-1908) Watercolor, Untitled, 18 x 20 1/4”, Cond. Very Good, Signed. 3,000/5,000
99. Paul Goodridge (1912-1991) Oil on canvas, Fisherman’s Wharf, 20 x 24”, Cond. Good, Signed. 1,200/1,500
100. Ken Gore (1911-1991) Oil on board, Fallen Tree, 24 x 30”, Cond. Very Good, Signed. 2,000/3,000
101. Gabrielle deVeaux Clements (1858-1948) Etching, Boats in a Harbor, 3 1/2 x 4”, Cond. Fair, Signed. 200/400
102. Antonio Cirino (1888-1983) Pencil, Bearskin Neck Lobster Shack, 8 1/4 x 10”, Cond. Excellent, Signed. 600/900
103. Luigi Lucioni (1900-1988) Etching, Tree Lined Shore, 7 3/4 x 10 7/8”, Cond. Excellent, Signed. 200/400
104. Gordon Grant (1875-1962) Lithograph, Shore Patrol, 9 x 12”, Cond. Good, Signed. 300/500
105. Gordon Grant (1875-1962) Lithograph, Two Fishermen at Rest, 9 x 12”, Cond. Good, Signed. 300/500
106. Ruth Jewell (1908-1999) Oil on canvas, Another Work Day, 30 x 24”, Cond. Good, Signed. 600/900
107. H. Boylston Dummer (1878-1945) Graphite, Blacksmith Shop, Rockport, 13 x 9 1/2”, Cond. Good, Signed. 200/400
108. Al Czerepak (1928-1986) Block Print, Wood Duck (ed. 1/3), 13 3/4 x 9 3/4”, Cond. Good, Signed. 300/500
109. Emile Gruppe (1896-1978) Charcoal, Portrait, 20 x 13”, Cond. Good, Signed. 2,000/3,000
110. Harrison Cady (1877-1970) Pen & Ink with colored pencil, Peter Rabbit with Mr. & Mrs. Quack (from Mother West
Wind Where), 13 1/4 x 9 1/2”, Cond. Excellent, Signed. 600/800
111. George Carpenter (1928-2006) Oil on canvas board, Toward Berwick, 16 x 20”, Cond. Very Good, Signed. 700/900
112. Al Czerepak (1928-1986) Painted Wood Carving, Unloading the Catch, 20 3/4 x 6”, Cond. Excellent,
Signed. 2,000/3,000
113. Emile Gruppe (1896-1978) Oil on canvas, After the Storm, 16 x 20”, Cond. Excellent, Signed. 8,000/12,000
114. Attributed to Harrison Cady (1877-1970) Pen & Ink, Mr. & Mrs. Quack, 8 x 7 3/8”, Cond. Excellent,
Not Signed. 400/600
115. Attributed to Harrison Cady (1877-1970) Pen & Ink, Old Man & Mrs. Coyote, 9 3/4 x 7 1/4”, Cond. Excellent,
Not Signed. 400/600
116. Marshall W. Joyce (1912-1998), Oil on canvas board, Making the Buoy, 20 x 24”, Cond. Very Good,
Signed. 1,500/2,000
117. Thomas Nagai (1886-1966) Gouache, Gloucester House, 16 3/4 x 22”, Cond. Excellent, Signed. 2,000/3,000
118. H. Boylston Dummer (1878-1945) Pen & Ink, Chicadee, 7 x 7”, Cond. Very Good, Signed. 200/400
119. Gilbert T. Margeson (1852-1949) Watercolor, Rockport Harbor, 13 1/2 x 10”, Cond. Good, Signed. 500/700
120. Leighton R. Cram (1895-1981) Oil on canvas, Landscape, 26 x 30”, Cond. Excellent, Signed. 3,000/5,000
121. John Loughlin (1931-2004) Watercolor, Surf Fishing, 5 x 7”, Cond. Excellent, Signed. 300/500
122. Paul Strisik (1918-1998) Watercolor, The Town Below – Bernal, Mexico, 14 1/2 x 18”, Cond. Excellent,
Signed. 2,000/4,000
123. Al Czerepak (1928-1986) Acrylic on canvas, Rocky Neck Queen, 30 x 20”, Cond. Good, Signed. 1,000/2,000
124. Otis Cook (1900-1980) Oil on canvas, Gloucester Harbor, 20 x 24”, Cond. Excellent, Signed. 3,000/4,000
125. Howard Curtis (1906-1989) Oil on canvas board, Surf, 8 x 10”, Cond. Very Good, Signed. 400/600
126. Winifred Jackman Hibbard (1898-1986) Watercolor, View from Hibbard Home - E. Jamaica, VT, 10 3/4 x 11 1/4”,
Cond. Very Good, Signed. 300/500
127. Leighton R. Cram (1895-1981) Oil on canvas board, Landscape with Rocks, 12 x 16”, Cond. Excellent,
Signed. 900/1,200
128. Bernard Corey (1914-2000) Oil on canvas, Farm Buildings in Hollow - Harwich, MA, 12 x 16” Cond. Excellent,
Signed. 2,000/3,000
129. Anthony Thieme (1888-1954) Oil on canvas, Nor‘easter, 25 x 30“, Cond. Excellent, Signed. 18,000/25,000
130. Russ Webster (1904-1984) Oil on canvas board, Rockport Harbor, 16 x 20”, Cond. Good, Signed. 600/900
131. George Carpenter (1928-2006) Watercolor, Storm of ‘72, 12 1/2 x 21 1/4”, Cond. Excellent, Signed. 600/900
132. Joseph Margulies (1896-1984) Watercolor, The Final Berth, 17 x 21”, Cond. Very Good, Signed. 500/700
133. James K. Bonnar (1885-1961) Watercolor, Rockport with Church, Pigeon Cove, 11 1/2 x 8 1/2”, Cond. Good,
Signed. 400/600
134. Bernard Corey (1914-2000) Oil on board, Winter Stream, 9 x 14”, Cond. Excellent, Signed. 2,000/2,500
135. John F. Gould (1906-1996) Oil on canvas, Motif #1, Rockport, 28 x 44”, Cond. Excellent, Signed. 10,000/15,000
136. Antonio Cirino (1888-1983) Oil on canvas mnt. on board, The Road Home, 8 x 10”, Cond. Very Good, Signed. 900/1,200
137. George Shedd (1927-2006) Watercolor, The Blue Door, 8 1/2 x 5 1/2”, Cond. Excellent, Signed. 500/700
138. David Millard (1918-2002) Watercolor, Island Relic, 11 x 13”, Cond. Excellent, Signed. 800/1,100
139. Winifred Jackman Hibbard (1898-1986) Watercolor, New England Village, 13 1/2 x 19 1/2”, Cond. Excellent,
Signed. 400/600
140. Roger W. Curtis (1910-2000) Oil on canvas board, Tidal Break, 18 x 24”, Cond. Very Good, Signed. 800/1,200
141. Aldro T. Hibbard (1886-1972) Oil on canvas, Winter Brook, VT, 22 x 30”, Cond. Good, Signed. 18,000/25,000
142. Thomas Nagai (1886-1966) Gouache, Gloucester Harbor, 9 x 13 1/4” Cond. Excellent, Signed. 1,000/1,500
143. Bob Nally (RAA 1963-1991, d.1991) Oil on board, Sunlit Patterns, 16 x 20”, Cond. Excellent, Signed. 700/900
144. Marguerite Pearson (1898-1978) Oil on canvas, Female Portrait in Profile, 17 x 21”, Cond. Good, Signed. 3,000/5,000
145. William Meyerowitz (1887-1981) Oil on canvas, Nude, 27 x 18”, Cond. Excellent, Signed. 4,000/6,000
146. Bernard Corey (1914-2000) Oil on board, House in the Woods, 10 x 14 1/8”, Cond. Excellent, Signed. 2,000/2,500
147. Russ Webster (1904-1984) Oil on canvas, Gloucester Harbor, 16 x 20”, Cond. Excellent, Signed. 1,200/1,800
148. Lester Hornby (1882-1956) Watercolor, Cape Ann Farm, 14 x 18”, Cond. Excellent, Signed. 400/600
149. Cheslie D’Andrea (1913-1999) Acrylic, The Net Menders, 24 x 30”, Cond. Excellent, Signed. 3,000/5,000
150. Mayo Sorgman (1912-2006) Watercolor, New York, 13 1/2 x 10 1/2”, Cond. Excellent, Signed. 600/800
151. Attributed to Bertha S. Peyton (1871-1947) Mixed Media, Gloucester Harbor, 15 1/2 x 11 1/2”, Cond. Very Good, Not Signed. 600/900
152. Paul Strisik (1918-1998) Oil on canvas, Rockport Harbor, 20 x 30”, Cond. Excellent, Signed. 6,000/9,000
153. Ruth Jewell (1908-1999) Oil on board, Zinnias, 20 x 20”, Cond. Very Good, Signed. 400/600
154. Antonio Cirino (1888-1982) Oil on board, Lone Lobsterman, 8 x 10”, Cond. Excellent, Signed. 4,000/5,000
155. Leighton R. Cram (1895-1981) Oil on canvas, The Dark Cliff - Abstraction, 16 x 20” Cond. Excellent,
Signed. 1,200/1,400
156. James K. Bonnar (1885-1961) Oil on canvas, Vermont Winter, 36 x 58”, Cond. Very Good, Signed. 10,000/15,000
157. Bernard Corey (1914-2000) Oil on canvas mnt. on board, Brookfield Farm, 10 x 16”, Cond. Excellent,
Signed. 1,500/2,000
158. Gladys Wilkins Murphy (1907-1985) Oil on canvas, Mexican Street Scene, 12 x 16”, Cond. Very Good, Signed. 300/600
159. John Levitsky (1922-2002) Oil on canvas board, Gloucester I, 14 x 18”, Cond. Good, Not Signed (from the Artist‘s Estate). 900/1,200
160. Marguerite Pearson (1898-1978) Oil on canvas board, Lilies & Petunias, 16 x 20”, Cond. Very Good,
Signed. 2,000/3,000
161. Paul Strisik (1918-1998) Oil on masonite, The Old Dock, 16 x 30”, Cond. Excellent, Signed. 4,000/6,000
162. Aldro T. Hibbard (1886-1972) Oil on canvas board, Mt. Mansfield Sunset - Cambridge, VT (study), 17 x 21”,
Cond. Good, Estate Stamped. 2,000/3,000
163. Al Czerepak (1928-1986) Oil on board, Cape Ann Fisherman, 10 x 8”, Cond. Very Good, Signed. 500/700
164. Gaspar Ruffolo (b. 1908) Oil on canvas board, Gloucester, MA 1940, 14 x 16”, Cond. Excellent, Signed. 2,000/3,000
165. Max Kuehne (1880-1968) Oil on canvas, Evening Rocks, 26 x 31”, Cond. Fair, Signed. 3,000/5,000
166. W. Lester Stevens (1888-1969) Oil on canvas, Mt. Greylock, Berkshires, 20 x 24”, Cond. Good, Signed. 12,000/18,000
167. Theodore V.C. Velenkamp (1868-1924) Pastel, Winter, 14 x 16”, Cond. Very Good, Signed. 700/900
168. Donald Blagge Barton (1903-1990) Watercolor, Breakwater, Rockport, 15 1/2 x 19 1/2”, Cond. Very Good,
Signed. 400/600
169. William Meyerowitz (1887-1981) Watercolor, Table Top with Window, 21 1/4 x 14 3/4”, Cond. Very Good,
Signed. 900/1,200
170. Theresa Bernstein (1891-2002) Oil on canvas board, Painting Outside, 24 x 20” Cond. Very Good,
Signed lr. 2,000/3,000
171. Al Czerepak (1928-1986) Color Woodcut on paper, Hauling the Lines, 14 x 23”, Cond. Excellent, Signed. 600/800
172. Attributed to Joan Kerry (RAA 1977-1996, d.1996) Oil Stick, Bright Fall Day, 15 x 18 3/4”, Cond. Excellent, Not Signed (from the Artist‘s Estate). 500/700
173. Cooper (20th Cent.) Oil on canvas, Heavy Surf, 24 x 30”, Cond. Good, Signed. 900/1,100
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