2002 AUCTION CATALOG ~ Click here for quick photo thumbnail & enlargements
1.
PAUL MANSHIP (RAA 1941-1942, D.1966) BRONZE MEDALLION, HAIL TO DIONYSUS- THE SOCIETY OF MEDALISTS SECOND ISSUE, 3" DIAMETER, COND. EXCELLENT, SIGNED.
800/1,200
2.
JAY CONNAWAY
(1893-1970) OIL ON CANVAS BOARD, KETCHAN'S, DORSET, VT, 20 X30, COND. VERY GOOD, SIGNED (LR).
4,000/5,000
3.
JOHN WENTWORTH
(RAA 1969-1994, D.1994) WATERCOLOR,
JOHN PAINTING BERNIE COREY, 10 X131/2, COND. EXCELLENT, SIGNED.
700/900
4.
THIS LOT HAS BEEN REMOVED.
5.
EARNEST KRAMER
(20TH CENTURY) OIL ON CANVAS, MOTIF #1,
24 X30, COND. GOOD, SIGNED.
600/800
6.
AL CZEREPAK
(1928-1986) PASTEL, NUDE,
19 X111/2, COND. GOOD, SIGNED.
400/600
7.
UMBERTO ROMANO
(B.1905, RAA 1938-1981) OIL ON BOARD,
JO-JO THE BOY CLOWN, 21 X15, COND. VERY GOOD, SIGNED (LR).
900/1,100
8.
JOHN WENTWORTH
(RAA 1969-1994, D.1994) WATERCOLOR,
FISHING DRAGGER - ST. MARY, 9 X10, COND. EXCELLENT, SIGNED.
400/600
9.
ELIZABETH WITHINGTON
(RAA 1923-1960, D.1962) GOUACHE, ANTIQUE SHOP, 81/2 X101/2, COND. EXCELLENT, SIGNED.
400/600
10.
WILLIAM MEYEROWITZ
(1898-1981) WATERCOLOR,
GLOUCESTER, 15 X20, COND. VERY GOOD, SIGNED.
700/1,200
11.
PAUL STRISIK
(1918-1998) WATERCOLOR, SPARKLING LIGHT,
MILL COVE, 11 X17, COND. EXCELLENT, SIGNED (LL).
2,000/3,000
12.
ANTONIO CIRINO
(1888-1983) OIL ON BOARD, FOUR ROSES,
12 X10, COND. VERY GOOD, SIGNED.
700/900
13.
ERIC HUDSON
(1864-1932) OIL ON CANVAS BOARD, SAILING TO WINDWARD, 12 X14, COND. VERY GOOD, SIGNED (LR).
1,200/1,800
14.
BERNARD COREY
(1914-2000) OIL, MORNING FOG,
34 X34, COND. VERY GOOD, SIGNED (LR).
15.
MIRON SOKOLE
(1901-1985) GOUACHE, DRYING FISH,
11 X171/2, COND. EXCELLENT, SIGNED.
400/600
16.
MIRON SOKOLE
(1901-1985) GOUACHE, FACTORY GLOUCESTER,
11 X171/2, COND. EXCELLENT, SIGNED.
400/600
17.
ANTONIO CIRINO
(1888-1983) OIL, THE ROAD'S BEND,
20 X29, COND. VERY GOOD, SIGNED.
3,000/5,000
18.
ROGER CURTIS
(1910-2000) OIL ON BOARD, SEASCAPE,
16 X20, COND. EXCELLENT, SIGNED.
500/700
19.
ALDRO T. HIBBARD
(1886-1972) OIL, WINTER IN VERMONT,
16 X20, COND. VERY GOOD, SIGNED (LR).
6,000/8,000
20.
AL CZEREPAK
(1928-1986) OIL ON CANVAS, MOR-MOR,
291/2 X171/2, COND. EXCELLENT, SIGNED.
2,000/3,000
21.
ANTONIO CIRINO
(1888-1983) PENCIL, FISHING SHACKS,
7 X8 (IMAGE), COND. VERY GOOD, SIGNED.
400/600
22.
ANTONIO CIRINO
(1888-1983) COLORED PENCIL, BABSON MUSEUM,
93/4 X113/4, COND. VERY GOOD, SIGNED.
500/700
23.
THERESA BERNSTEIN
(1891-2002) OIL, JERUSALEM,
211/2 X251/2, COND. VERY GOOD, SIGNED.
1,500/2,000
24.
WILLIAM MEYEROWITZ
(1898-1981) CRAYON/PENCIL,
GLOUCESTER HARBOR, 9 X12, COND. VERY GOOD, SIGNED.
600/900
25.
PRESCOTT JONES
(1904-1981) WATERCOLOR, FROM THE
HEADLANDS, ROCKPORT, 11 X14, COND. GOOD, SIGNED.
400/600
26.
AL CZEREPAK
(1928-1986) OIL, IRISH COTTAGES,
9 X17, COND. VERY GOOD, SIGNED.
600/800
27.
C. ROY MORSE (1914-1997) OIL ON CANVAS BOARD, ROCKPORT,
18 X24, COND. VERY GOOD, SIGNED.
300/500
28.
HARRY LEITH-ROSS
(1886-1973) OIL ON BOARD, HARBOR SCENE,
15 X20, COND. GOOD, SIGNED.
29.
W. LESTER STEVENS
(1888-1969) OIL, KING ST. ROCKPORT,
18 X20, COND. VERY GOOD, SIGNED.
1,500/2,000
30.
ROGER CURTIS
(1910-2000) OIL, EYE OF THE HURRICANE,
25 X30, COND. VERY GOOD, SIGNED.
800/1,000
31.
JOHN CHECUTI
(1900-1976) WATERCOLOR, AUTUMN,
21 X30, COND. VERY GOOD, SIGNED.
900/1,100
32.
JAY CONNAWAY
(1893-1970) OIL ON BOARD,
UNDERWATER ROCKS, 12 X16, COND. VERY GOOD, SIGNED.
1,200/1,500
33.
W. LESTER STEVENS
(1888-1969) WATERCOLOR, MOTIF #1,
16 X22, COND. GOOD, SIGNED.
1,200/1,600
34.
H. ORNE RIDER
(B.1860) OIL, EARLY MORNING,
25 X30, COND. GOOD, SIGNED.
900/1,100
35.
HERB MURPHY
(1912-1996) WATERCOLOR, HILLSIDE,
13 X16, COND. VERY GOOD, SIGNED.
400/600
36.
ROGER CURTIS
(1910-2000) OIL, AFTER THE STORM,
18 X 24, COND. GOOD, SIGNED.
900/1,200
37.
SAMUEL LANCASTER GERRY
(1813-1891) MIXED MEDIA,
COASTAL VIEW, 123/4 X201/4, COND. VERY GOOD, SIGNED.
800/1,200
38.
MARGUERITE PEARSON
(1898-1978) OIL ON CANVAS,
RIMA, THE BIRD GIRL, 36 X30, COND. GOOD, SIGNED.
3,000/5,000
39.
ANTONIO CIRINO
(1888-1983) OIL, FOREST'S DIGNITY,
20 X24, COND. GOOD, SIGNED.
2,000/3,000
40.
AL CZEREPAK
(1928-1986) WOODCUT, MATADOR,
28 X163/4, COND. GOOD, SIGNED.
300/500
41.
REYNOLDS BEAL
(1867-1951) ETCHING, FISHING SCHOONER,
73/8 X113/4, COND. VERY GOOD, SIGNED.
400/600
42.
JOSEPH MARGULIES
(1896-1984) ETCHING, FLEMISH MOTHER
WITH JUG, 17 X14, COND. EXCELLENT, SIGNED.43.
AL CZEREPAK (1928-1986) BLOCK PRINT, HAULING NETS,
13 X34, COND. GOOD, NOT SIGNED.
400/600
44.
LESTER HORNBY
(1882-1956) LITHOGRAPH, MOTIF #1,
20 X16, COND. EXCELLENT, SIGNED.
300/500
45.
GORDON GRANT
(1875-1962) LITHOGRAPH, THE CRESTED DUNE,
9 X12, COND. VERY GOOD, SIGNED.
250/400
46.
ALAN CRANE
(1901-1969) LITHOGRAPH, SUMMER MEMORY,
133/4 X93/4, COND. VERY GOOD, SIGNED.
200/400
47.
ALAN CRANE
(1901-1969) LITHOGRAPH, LOBSTER POTS,
17 X20, COND. EXCELLENT, SIGNED.
200/400
47A.
STEPHEN SEARLES
(RAA 1962-1997, D.1997) BRONZE,
PORTRAIT BUST, COND. EXCELLENT, SIGNED.
600/800
48.
ATTRIBUTED TO H. BOYLSTON DUMMER
(1878-1945) PENCIL,
SHOREFRONT, 14 X21, COND. VERY GOOD, NOT SIGNED,
(CERTIFIED BY DAVID HALL).
1,200/1,500
49.
ARTHUR SPEAR
(1879-1959) MIXED MEDIA, SPRING,
25 X19, COND. EXCELLENT, SIGNED.
600/800
50.
STOW WENGENROTH
(1906-1978) CHARCOAL, TREES IN BLOOM,
121/4 X181/2, COND. FAIR, SIGNED.
600/900
51.
AL CZEREPAK
(1928-1986) PENCIL, BRIDGE IN PORT,
151/2 X20, COND. VERY GOOD, SIGNED.
500/700
52.
WILLIAM MEYEROWITZ
(1898-1981) OIL ON CANVAS, STILL LIFE,
36 X30, COND. GOOD, SIGNED.
3,000/5,000
53.
KEN PRATSON
(RAA 1987-2000, D.2000) OIL ON CANVAS ON BOARD, MONHEGAN, 113/4 X16, COND. GOOD, SIGNED (LR).
600/800
54.
HARRY DEMAINE
(B.1880) WATERCOLOR, INLET AT ROCKPORT,
12 X16, COND. VERY GOOD, SIGNED.
600/800
55.
WILLIAM BEAL
(1914-1995) WATERCOLOR, WHITE SWAN,
13 X9, COND. VERY GOOD, SIGNED.
56.
W. LESTER STEVENS
(1888-1969) WATERCOLOR, THE BOATYARD,
8 X101/2 (IMAGE), COND. VERY GOOD, SIGNED.
500/700
57.
FRANK BEATTY
(1899-1984) OIL ON BOARD, MT. PLEASANT ST.,
9 X12, COND. VERY GOOD, SIGNED.
500/700
58.
JOHN COOK
(1870-1936) WATERCOLOR, UNTITLED,
91/2 X71/2, COND. GOOD, SIGNED.
800/1,200
59.
BERNARD COREY
(1914-2000) OIL ON CANVAS, MOUNTED ON BOARD, IN THE BERKSHIRES, 10 X12, COND. EXCELLENT, SIGNED (ON BACK).
2,000/2,500
60.
AL CZEREPAK
(1928-1986) OIL, MARTA,
50 X24, COND. GOOD, SIGNED.
2,000/3,000
61.
THERESA BERNSTEIN
(1891-2002) OIL ON CANVAS BOARD,
THE ARTIST, 12 X9, COND. GOOD, SIGNED.
2,000/2,500
62.
MARGUERITE PEARSON
(1898-1978) OIL ON CANVAS BOARD,
SHASTA DAISIES, 10 X8, COND.VERY GOOD, SIGNED.
900/1,200
63.
THERESA BERNSTEIN
(1891-2002) OIL ON CANVAS, GLOUCESTER HARBOR VIEW C.1925, 20 X24, COND. VERY GOOD, SIGNED.
4,000/6,000
64.
WILLIAM PASKELL
(1870-1951) WATERCOLOR, TREES BY THE RIVER,
143/4 X93/4, COND. VERY GOOD, SIGNED.
500/700
65.
ANTONIO CIRINO
(1888-1983) OIL, FIRST LIGHT ON PASTURE,
20 X24, COND. GOOD, SIGNED (LR).
2,000/3,000
66.
W. LESTER STEVENS
(1888-1969) WATERCOLOR, NORTH SHORE
VILLAGE IN WINTER, 191/2 X28 (IMAGE), COND. VERY GOOD, SIGNED.
3,000/4,000
67.
LOLA BURNS
(RAA 1963-1998, D.1998) CASEIN & POLYMER,
QUEEN ANNE'S LACE, 30 X24, COND. VERY GOOD, SIGNED.
1,500/2,500
68.
THURSTON MARSHALL
(RAA 1961-1982, D.1982) OIL,
SEA BOATS, 30 X40, COND. VERY GOOD, SIGNED.
1,900/2,100
69.
H. BOYLSTON DUMMER
(1878-1945) MIXED MEDIA, MUD PIES,
41/2 X53/4, COND. VERY GOOD, SIGNED.
70.
H. BOYLSTON DUMMER
(1878-1945) MIXED MEDIA, BEDTIME STORIES, 41/2 X53/4, COND. VERY GOOD, SIGNED.
400/600
71.
LEON KROLL
(1884-1974) CHARCOAL, NUDE,
20 X14, COND. GOOD, SIGNED.
300/500
72.
BERNARD COREY
(1914-2000) OIL ON BOARD, THE FROZEN SWAMP,
7 X101/2, COND. VERY GOOD, SIGNED (LR).
1,400/1,800
73.
WILLIAM MEYEROWITZ
(1898-1981) OIL ON BOARD, PORTRAIT OF THERESA AT FOLLY COVE, 22 X15, COND. VERY GOOD, SIGNED.
1,800/2,800
74.
CONSTANTINE ARVANITES
(1921-1998) ACRYLIC, FIGURE,
91/4 X141/2, COND. VERY GOOD, SIGNED.
500/700
75.
CONSTANTINE ARVANITES
(1921-1998) ACRYLIC, HOUSE CART,
13 X12, COND. VERY GOOD, SIGNED.
500/700
76.
JOHN CHECUTI
(1900-1976) WATERCOLOR, FRUIT & FLOWERS,
15 X11, COND. EXCELLENT, SIGNED.
400/600
77.
MARIAN WILLIAMS STEELE
(1912-2001) OIL, DUNES,
6 X12, COND. VERY GOOD, SIGNED.
400/600
78.
LARRY QUACKENBUSH
(1916-1967) WATERCOLOR, NUDE,
5 X6, COND. VERY GOOD, SIGNED.
200/400
79.
MARSHALL JOYCE
(RAA 1973-1998, D.1998) WATERCOLOR,
THE CUTTER FOX, 8 X 12, COND. VERY GOOD, SIGNED.
900/1,200
80.
ANTONIO CIRINO
(1888-1983) PENCIL, GRANITE PIER,
11 X14, COND. VERY GOOD, SIGNED.
400/600
81.
WILLIAM MEYEROWITZ
(1898-1981) ETCHING, THE SCHOLAR,
8 X93/4, COND. VERY GOOD, SIGNED (SECOND IMAGE ON REVERSE).
300/500
82.
ATTRIBUTED TO HARRISON CADY
(1875-1970) ETCHING, SMOKEY MT. MULE TEAM, 9 X113/4 (IMAGE), COND. EXCELLENT, NOT SIGNED.
300/400
83.
GORDON GRANT
(1875-1962) LITHOGRAPH, THE LITTLE HARBOR,
9 X12, COND. GOOD, SIGNED.
250/350
84.
STOW WENGENROTH
(1906-1978) LITHOGRAPH, OGUNQUIT DUNES (STUCKEY #184), 103/8 X147/8, COND. VERY GOOD, SIGNED.85.
GEORGE W. HARVEY (1855-1930) ETCHING, DUTCH GIRL -
ON THE SHORE, 4 X5, COND. VERY GOOD, SIGNED.
200/400
86.
WILLIAM MCNULTY
(1884-1963) DRY POINT, EARLY CAPE ANN
TOOL SHOP, 91/4 X101/2 (IMAGE), COND. EXCELLENT, SIGNED.
400/600
87.
STOW WENGENROTH
(1906-1978) LITHOGRAPH, KINDRED MCLEAN PRINT, ROCKPORT, MA (STUCKEY #91), 97/8 X14, COND. VERY GOOD, SIGNED.
600/900
88.
GEORGE W. HARVEY
(1855-1930) ETCHING, DISCHARGING SALT - GLOUCESTER HARBOR, 4 X5, COND. VERY GOOD, SIGNED.
200/400
89.
GEORGE W. HARVEY
(1855-1930), ETCHING, MISTY MORNING - GLOUCESTER HARBOR, 4 X5, COND. VERY GOOD, SIGNED.
200/400
90.
W. LESTER STEVENS
(1888-1969) LITHOGRAPH, SUGARING,
81/2 X121/2, COND. GOOD, SIGNED.
300/500
91.
GEORGE W. HARVEY
(1855-1930) ETCHING, ITALIAN SALT SHIP,
4 X5, COND. VERY GOOD, SIGNED.
200/400
92.
GEORGE W. HARVEY
(1855-1930) ETCHING, UNIVERSALIST CHURCH,
71/2 X43/4, COND. EXCELLENT, SIGNED.
300/500
93.
JOSEPH HIGGINS
(B.1878) ETCHING, ROCKPORT HARBOR,
7 X9, COND. GOOD, SIGNED.
400/600
94.
STOW WENGENROTH
(1906-1978) LITHOGRAPH, ALONG THE COAST - ROCKPORT, MA (STUCKEY #98), 73/8 X13, COND. VERY GOOD, SIGNED.
600/900
95.
GORDON GRANT
(1875-1962) LITHOGRAPH, PILOT,
111/2 X9, COND. VERY GOOD, SIGNED.
300/500
96.
GORDON GRANT
(1875-1962) LITHOGRAPH, HAULING IN THE NETS,
9 X111/2, COND. VERY GOOD, SIGNED.
300/500
97.
GORDON GRANT
(1875-1962) LITHOGRAPH, THE HARDY BREED,
9 X12, COND. VERY GOOD, SIGNED.
300/500
98.
GORDON GRANT
(1875-1962) LITHOGRAPH, DOCKSIDE POLITICS,
9 X12, COND. VERY GOOD, SIGNED.
99.
ATTRIBUTED TO ANTHONY THIEME
(1888-1954) ETCHING,
WATERFRONT BUILDINGS, 7 X9, COND. VERY GOOD, NOT SIGNED.
200/400
100.
GORDON GRANT
(1875-1962) ETCHING, THE COMEDIAN,
101/2 X9, COND. GOOD, SIGNED.
200/400
101.
STOW WENGENROTH
(1906-1978) LITHOGRAPH, SURF AT BASS ROCKS
(STUCKEY #364), 81/4 X137/8, COND. VERY GOOD, SIGNED.
600/900
102.
W. LESTER STEVENS
(1888-1969) OIL ON CANVAS,
SUMMER SCENE, 20 X24, COND. GOOD, SIGNED.
2,000/3,000
103.
CHARLES A. WINTER
(1869-1942) OIL ON CANVAS,
GLOUCESTER, MA - 1914, 26 X30, COND. VERY GOOD, SIGNED.
3,000/4,000
104.
PAUL STRISIK
(1918-1998) OIL ON CANVAS, UNTITLED,
16 X24, COND. EXCELLENT, SIGNED. INCLUDES A SIGNED COPY OF THE ART OF LANDSCAPE PAINTING BY PAUL STRISIK, N.A. & CORRESPONDENCE.
3,000/4,000
105.
FRANCIS HENRY RICHARDSON
(1859-1934) OIL, WOODLAND SCENE,
83/8 X103/8 COND. EXCELLENT, SIGNED.
500/700
106.
BERNARD COREY
(1914-2000) OIL ON BOARD, EARLY SPRING,
9 X12, COND. EXCELLENT, SIGNED.
1,400/1,800
107.
KEN GORE
(1911-1991) OIL ON CANVAS MOUNTED ON BOARD,
AUTUMN IN THE HILLS, 24 X20, COND. VERY GOOD, SIGNED.
700/900
108.
W. LESTER STEVENS
(1888-1969) OIL ON CANVAS,
VILLAGE SCENE WITH CHURCH, 38 X34, COND. VERY GOOD, SIGNED.
6,000/8,000
109.
STANLEY WOODWARD
(1890-1970) OIL, BEACH RESERVE,
24 X30, COND. GOOD, SIGNED (LR).
1,500/2,000
110.
AL CZEREPAK
(1928-1986) GOUACHE, IRELAND,
9 X12, COND. EXCELLENT, SIGNED (CZEREPAK FRAME).
400/600
111.
KEN GORE
(1911-1991) OIL ON BOARD, THE GREEN BOAT,
10 X151/2, COND. EXCELLENT, SIGNED.
600/900
112.
ANTONIO CIRINO
(1888-1983) OIL ON CANVAS BOARD,
WHEN THE SUN SET, 8 X10, COND. VERY GOOD, SIGNED.

113.
MARGUERITE PEARSON
(1898-1978) OIL ON CANVAS BOARD,
STILL LIFE WITH DAFFODILS, 12 X16, COND. VERY GOOD, SIGNED.
900/1,200
114.
ALDRO T. HIBBARD
(1886-1972) OIL ON CANVAS MOUNTED ON BOARD, VERMONT WINTER, 223/4 X293/4, COND. VERY GOOD, SIGNED.
3,000/4,000
115.
BERNARD COREY
(1914-2000) OIL, ALONG THE RIVER,
8 X10, COND. EXCELLENT, NOT SIGNED (ESTATE STAMPED).
1,600/2,000
116.
ANTONIO CIRINO
(1888-1983), OIL ON BOARD, A COUNTRY LANE,
10 X12, COND. VERY GOOD, SIGNED.
900/1,200
117.
MIRON SOKOLE
(1901-1985) GOUACHE, FISHING WHARF,
11 X171/2, COND. EXCELLENT, SIGNED.
400/600
118.
MIRON SOKOLE
(1901-1985) GOUACHE, GLOUCESTER STREET - 1936,
11 X171/2, COND. EXCELLENT, SIGNED.
400/600
119.
CARL PETERS
(1897-1988), OIL, VILLAGE IN WINTER,
16 X20, COND. GOOD, SIGNED (LR).
2,000/3,000
120.
MARGUERITE PEARSON
(1898-1978) OIL ON CANVAS BOARD,
ZINNIA STILL LIFE, 20 X24, COND. VERY GOOD, SIGNED.
1,500/1,800
121.
KEN GORE
(1911-1991) OIL ON CANVAS MOUNTED ON BOARD,
WILLOWS, 24 X30, COND. GOOD, SIGNED.
2,000/3,000
122.
ANTONIO CIRINO
(1888-1983) OIL, STREAM IN FALL,
25 X30, COND. VERY GOOD, SIGNED (LR).
3,000/4,000
123.
EMILE GRUPPE
(1896-1978) OIL ON CANVAS, WOODLAND
LANDSCAPE, 36 X40, COND. VERY GOOD, SIGNED (C.1940).
6,000/8,000
124.
LEIGHTON R. CRAM
(1895-1981) OIL ON CANVAS, ROCKS IN QUARRY, 30 X 36, COND. GOOD(MINOR REPAIRS ON REVERSE), SIGNED.
1,500/2,500
125.
HARRISON CADY
(1875-1970) WATERCOLOR, FEEDING THE TURKEYS,
15 X21, COND. EXCELLENT, SIGNED (LR) (1927).
3,000/5,000
126.
JOHN THURSTON
(1865-1955) WATERCOLOR, SAFE HARBOR,
10 X13 (IMAGE), COND. EXCELLENT, SIGNED.
127.
JACOB GREENLEAF
(1887-1968) OIL ON CANVAS BOARD,
STAR ISLAND - ROCKPORT, 12 X16, COND. VERY GOOD, SIGNED.
600/900
128.
TOD LINDENMUTH
(1885-1976) ACRYLIC, SISTERS OF ST. JOSEPH,
233/4 X313/4, COND. GOOD, SIGNED (LR).
1,500/2,500
129.
L. SAMUELS
(20TH CENTURY) OIL ON CANVAS, MOTIF #1,
24 X29, COND. VERY GOOD, SIGNED.
2,500/3,500
130.
MAX KUEHNE
(1880-1968) WATERCOLOR, SCHOOL STREET - ROCKPORT,
15 X20, COND. EXCELLENT, SIGNED.
1,200/1,500
131.
WINIFRED JACKMAN HIBBARD
(1898-1986) OIL, OLD NEW MEXICO,
111/2 X131/2, COND. GOOD, NOT SIGNED.
200/400
132.
PAUL STRISIK
(1918-1998) OIL ON BOARD, ROAD TO PLEASANT
VALLEY, 71/2 X12, COND. VERY GOOD, SIGNED.
1,500/2,000
133.
DONALD BLAGGE BARTON
(1903-1990) WATERCOLOR, SHACKS AND TREE WITH MOSS, 26 X30, COND. VERY GOOD, SIGNED (1930).
(THULIN SIVER GILT FRAME)
400/800
134.
CAMERON BURNSIDE
(1887-1952) WATERCOLOR & GOUACHE,
EDDY DONOVAN'S LOBSTER POOL, 161/2 X22, COND. VERY GOOD, SIGNED (1948).
500/800
135.
ALDRO T. HIBBARD
(1886-1972) OIL, CAPE ANN SHORE,
18 X24, COND. VERY GOOD, SIGNED.
4,000/6,000
136.
AL CZEREPAK
(1928-1986) OIL, BOY,
71/2 X15, COND. VERY GOOD, SIGNED (CZEREPAK FRAME).
600/900
137.
BERNARD COREY
(1914-2000) OIL, VERMONT HILLS,
9 X14, COND. EXCELLENT, NOT SIGNED (ESTATE STAMPED).
1,900/2,300
138.
THELMA SALTER
(20TH CENTURY) OIL, SHIP AT DOCK - GLOUCESTER,
18 X12, COND. VERY GOOD, SIGNED.
300/500
139.
RICHARD HOLBERG
(1889-1942) OIL ON CANVAS, SOUTH WOODS (KAELIN'S WOODS), 20 X16, COND. VERY GOOD, SIGNED (ON REVERSE).