12 Main Street, Rockport MA. 01966 978.546.6604

AUCTION 2005 CATALOG: Results

 

BROWSE BY PHOTOS ONLY

Please note: Each listing is followed by an estimate range. 

1. J. THURSTON MARSHALL (1908-1982) ACRYLIC ON BOARD, BOATS IN ROCKPORT HARBOR, 17 X24”, COND. VERY GOOD, SIGNED.      600/800


2. AL CZEREPAK (1928-1986) ACRYLIC ON CANVAS, PORTUGESE HILL, 20 X22”, COND. VERY GOOD, SIGNED.    
900/1,100


3. JOSEPH MARGULIES (1896-1984) WATERCOLOR, THE LUMPER, 14 1/4 X11”, COND. VERY GOOD, SIGNED.     
500/700


4. LEIGHTON R. CRAM (1895-1981) OIL ON BOARD, DECORATIVE LANDSCAPE, 18 X20”, COND. VERY GOOD, SIGNED.     
900/1,100


5. JOSEPH L.C. SANTORO (1908-1998) WATERCOLOR, MT. ASCUTNEY, VT, 9 1/2 X13 1/2”, COND. VERY GOOD, SIGNED.     
900/1,100


6. EDWARD HARVEY
(EARLY 20TH CENT.) OIL ON BOARD, SEACOAST VIEW, 20 X30”, COND. FAIR, SIGNED.    
800/1,000


7. ATTRIBUTED TO MARI LOPEZ (RAA 1960-1971) TULIP WOOD, THE BATHER, 18” HIGH, COND. GOOD, NOT SIGNED.  
  600/800


8. A.R. MARSEILJE (20TH CENT.) WATERCOLOR, PROVINCETOWN, 17 X23”, COND. VERY GOOD, SIGNED.    
900/1,100


9. LAURA WELSH CASEY (20TH CENT.) OIL ON CANVAS, GLOUCESTER HARBOR, 18 X18”, COND. GOOD, SIGNED (ON REVERSE).    400/600


10.  ROGER CURTIS (1910-2000) OIL ON CANVAS, BASS ROCKS SURF, 14 X16”, COND. VERY GOOD, SIGNED.    
900/1,200


11. BERNARD COREY (1914-2000) OIL ON MASONITE, MISTY MORNING, 9 X12”, COND. VERY GOOD, SIGNED.    
1,700/1,900


12. JOHN LOUGHLIN
(1931-2004) OIL ON BOARD, RIVER, JAMAICA, VT, 9 X13”, COND. VERY GOOD, SIGNED.    
600/800


13. JACOB GREENLEAF
(1887-1968) OIL ON CANVAS BOARD, TREES IN BLOOM, 20 X16”, COND. VERY GOOD, SIGNED.    
600/800


14. ATTRIBUTED TO OSCAR ANDERSON (1873-1953) OIL ON CANVAS, GREEN SURF, GREY SEA, 12 X15”, COND. GOOD,

NOT SIGNED.      500/700


15. THERESA BERNSTEIN (1891-2002) OIL ON BOARD, CHILDREN‘S PARTY (FROM RABBITVILLE SERIES), 11 X20 1/2”,

COND. VERY GOOD, SIGNED.      2,000/3,000

16. W. LESTER STEVENS (1888-1969) OIL ON CANVAS, MOUNTED ON BOARD, APPLE BLOSSOM LANE, 24 X30”, COND. EXCELLENT, SIGNED.      8,000/10,000

17. OSCAR ANDERSON (1873-1953) OIL ON CANVAS, SURF AT DUSK, 12 X16”, COND. GOOD, SIGNED.     500/700

18. JACOB GREENLEAF (1887-1968) OIL (1932), COAL BARGE, 16 X20”, COND. GOOD, SIGNED.      700/900

19. CHARLES ALLEN WINTER (1869-1942) OIL ON CANVAS, BIBLICAL TRIPTYCH, 16 X28”, COND. FAIR, SIGNED (CAW).     1,000/3,000

20. ALLAN DAVIDSON (1908-1988) WATERCOLOR, FISHING, 13 X12”, COND. VERY GOOD, SIGNED.      300/500

21. MARSHALL W. JOYCE (1912-1998) WATERCOLOR, HASKIN‘S PLACE, 9 X13”, COND. VERY GOOD, SIGNED.     500/800

22. EMILE GRUPPE (1896-1978) OIL ON CANVAS, GLOUCESTER HARBOR, 18 X20”, COND. FAIR, SIGNED.     5,000/7,000

23. JOSEPH RIMINI (1920-2000) OIL ON CANVAS, AUTUMN FIELD, 24 X30”, COND. GOOD, SIGNED.     900/1,100

24. JOHN WENTWORTH (1911-1993) WATERCOLOR, KING STREET, 9 X13”, COND. VERY GOOD, SIGNED.     300/500

25. JOHN A. COOK (1870-1936) WATERCOLOR, GLOUCESTER HARBOR, 7 X11”, COND. VERY GOOD, SIGNED.     700/900

26. JOHN CHETCUTI (1900-1976) WATERCOLOR, BERMUDA, 10 1/2 X14 1/4”, COND. VERY GOOD, SIGNED.     200/400

27. AL CZEREPAK (1928-1986) OIL ON BOARD, THE NOVEL, 11 X14”, COND. GOOD, SIGNED.      300/500

28. MAE BENNETT BROWN (1884-1972) PASTEL, SPRING BOUQUET, 12 X18”, COND. FAIR, SIGNED.     300/500

29. W. LESTER STEVENS (1888-1969) WATERCOLOR, COVERED BRIDGE, 6 3/4 X7 1/4”, COND. EXCELLENT, SIGNED.     800/1,000

30. MARGUERITE PEARSON (1898-1978) OIL ON BOARD, SPRING FLOWERS IN CHINESE BOWL, 16 X12”, COND. GOOD, SIGNED (AND ESTATE STAMPED ON BACK).      700/900

31. AL CZEREPAK (1928-1986) ACRYLIC, MARGARITA #2, 13 1/4 X10 1/4”, COND. VERY GOOD, SIGNED.      500/700

32. ALFRED HUTTY (1877-1954) ETCHING (C.1930), CAPE ANN FISHING VILLAGE, 6 1/2 X7 3/8”, COND. EXCELLENT, SIGNED.     500/700

33. GORDON GRANT (1875-1962) ETCHING, GLOUCESTER FISHERMAN, 8 X10”, COND. VERY GOOD, SIGNED.     300/500

34. W. GOODRICH BEAL (LATE 19TH CENT.) ETCHING (1888), FISHING VILLAGE, 8 X11 3/4”, COND. FAIR, SIGNED.     200/400

35. GORDON GRANT (1875-1962) LITHOGRAPH, THE PILOT, 11 1/2 X9”, COND. VERY GOOD, SIGNED.     350/500

36. ANNE HOWLAND (20TH CENT.) ETCHING, CAPE COD WINDMILL, 5 1/2 X3 1/2”, COND. FAIR, SIGNED.     200/400

37. WILLIAM MEYEROWITZ (1887-1981) ETCHING, THE COUNTRY FAIR, 1919, 4 X4 7/8”, COND. VERY GOOD, SIGNED.    200/400

38. MARGUERITE PEARSON (1898-1978) CONTE DRAWING, NUDES, 17 X11 1/4”, COND. VERY GOOD, NOT SIGNED (DRAWINGS ON REVERSE WITH ESTATE STAMP).      300/500

39. ANTONIO CIRINO (1888-1983) PENCIL, SHACK ON NECK, 6 X11 1/2”, COND. VERY GOOD, NOT SIGNED (ESTATE STAMPED). 400/600

40. HARRISON CADY (1875-1970) PEN & INK, ILLUSTRATED LETTER, 10 X63/4” (LETTER), 8 3/4 X 6 1/4” (ENVELOPE), COND. GOOD, SIGNED.      800/1,000

41. PHILIP LITTLE (1857-1942) ETCHING, SCHOONER, 7 X5”, COND. GOOD, SIGNED (1916).     200/400

42. H. BOYLSTON DUMMER (1878-1945) GRAPHITE, ANIMALS PREPARING FOR WINTER, 9 X10”, COND. VERY GOOD, SIGNED.     200/300

43. LESTER HORNBY (1882-1956) LITHOGRAPH, CLAMMERS LANDING, 12 X16”, COND. GOOD, SIGNED.     300/500

44. AL SCHRODER (1929-2003) EGG TEMPERA ON BOARD, MANY SUMMERS, 12 X24”, COND. VERY GOOD, SIGNED.     800/1,000

45. JOSEPH RIMINI (1920-2000) OIL ON CANVAS, ROCKPORT STREET SCENE, 20 X24”, COND. GOOD, SIGNED.     700/900

46. STOW WENGENROTH (1906-1978) LITHOGRAPH (STUCKEY #91), KINDRED MCLEAN PRINT, 9 3/4 X14”, COND. GOOD, SIGNED. 400/600

47. STOW WENGENROTH (1906-1978) PEN & INK, FIRST PARISH BURYING GROUND, ROCKPORT, 10 1/2 X17”, COND. GOOD, SIGNED (BY HARRIET WENGENROTH).      900/1,200

48. WILLIAM BICKNELL (1860-1947) ETCHING, THE LOOKOUT – ALL‘S WELL (FROM THE WINSLOW HOMER PAINTING),

23 1/2 X17 1/2”, COND. GOOD, SIGNED BY BICKNELL.     700/900

49. WILLIAM MEYEROWITZ (1887-1981) COLOR ETCHING (ED. 5 OF 6), GOOD HARBOR BEACH, GLOUCESTER, 8 X9 3/4”, COND. EXCELLENT, SIGNED.      500/700

50. RICHARD HALEY LEVER (1876-1958) OIL ON CANVAS, HUDSON RIVER, NY, 6 3/4 X9 1/2”, COND. VERY GOOD, SIGNED (1913). 800/1,000

51. JOHN LOUGHLIN (1931-2004) WATERCOLOR, AUTUMN FLIGHT, 6 1/2 X10”, COND. EXCELLENT, SIGNED.     500/700

52. J. THURSTON MARSHALL (1908-1982) OIL ON CANVAS, FIVE CORNERS, 24 X36”, COND. VERY GOOD, SIGNED.     1,200/1,500

53. EDWARD CABOT CLARKE (1818-1901) WATERCOLOR (1873), GLEN – NEWPORT, 4 1/4 X7”, COND. EXCELLENT, SIGNED.     400/600

54. JOHN K. HARE (1882-1947) WATERCOLOR, PROVINCETOWN HOUSE, 12 X10”, COND. GOOD, SIGNED.     300/500

55. ELIZABETH LOBINGIER (1889-1973) OIL ON CANVAS, WINTER PATTERNS, 24 X20”, COND. VERY GOOD, SIGNED.     1,200/1,500

56. H. POOR (20TH CENT.) OIL ON CANVAS, SEA & ROCKS, 11 X16”, COND. POOR, SIGNED.     500/700

57. JOSEPH L.C. SANTORO (1908-1998) WATERCOLOR, NEW ENGLAND FARM, 12 1/2 X19 1/2”, COND. VERY GOOD, SIGNED.     900/1,100

58. HARRY SHOULBERG (1903-1995) SERIGRAPH, GLOUCESTER, 20 X16”, COND. VERY GOOD, SIGNED.     500/700

59. LILLIAN GROW (RAA 1952-1974) WATERCOLOR, FLORAL STILL LIFE, 16 X20”, COND. VERY GOOD, SIGNED.      500/700

60. AL CZEREPAK (1928-1986) WOODCUT, HAULING, 19 1/2 X12 1/2”, COND. VERY GOOD, SIGNED.     600/800

61. GORDON GRANT (1875-1962) LITHOGRAPH, THE HOMECOMING, 9 X12”, COND. VERY GOOD, SIGNED.     300/500

62. WILLIAM MEYEROWITZ (1887-1981) ETCHING, TALMUDISTS, 12 X10”, COND. GOOD, SIGNED.     300/500

63. AL CZEREPAK (1928-1986) PENCIL, OGUNQUIT BRIDGE, 15 3/4 X20”, COND. GOOD, SIGNED.     300/500

64. GORDON GRANT (1875-1962) LITHOGRAPH, OLD BOATS NEVER DIE, 9 X12”, COND. GOOD, SIGNED.     300/500

65. GORDON GRANT (1875-1962) LITHOGRAPH, THE SAND FENCE, 9 X12”, COND. VERY GOOD, SIGNED.     300/500

66. GORDON GRANT (1875-1962) LITHOGRAPH, CONFLICT, 9 X12”, COND. GOOD, SIGNED.     400/600

67. JOSEPH MARGULIES (1896-1984) WATERCOLOR, THE GREEN BOAT, 18 X21 1/2”, COND. VERY GOOD, SIGNED.     500/700

68. JOHN A. COOK (1870-1936) WATERCOLOR, SAILS DRYING, 7 3/4 X10”, COND. VERY GOOD, SIGNED.     400/600

69. EDWARD HARVEY (EARLY 20TH CENT.) WATERCOLOR, ROCKS & BEACH, 7 X10 3/4”, COND. GOOD, SIGNED (1891).     300/500

70. CHESLIE D’ANDREA (1913 -1999) OIL ON BOARD, THE PARTING WHISTLE, 11 3/4 X19 1/2”, COND. GOOD, SIGNED.     900/1,200

71. ATTRIBUTED TO JOHN A. COOK (1870-1936) WATERCOLOR, HARBOR SCENE, GLOUCESTER, 17 1/2 X21 1/2”, COND. GOOD,

NOT SIGNED.      700/900

72. FRANCES S. BUTLER (1894-1984) OIL ON CANVAS, DAVIDSON‘S RUN, SANDY BAY, 24 X20“, COND. VERY GOOD, SIGNED.     700/900

73. LESTER HORNBY (1882-1956) ETCHING, LA JARDINIERE – MATIN, 6 1/2 X9”, COND. EXCELLENT, SIGNED.     250/350

74. ANTHONY THIEME (1888-1954) ETCHING, LOW TIDE, 7 3/4 X9 3/4”, COND. VERY GOOD, SIGNED.     250/350

75. STOW WENGENROTH (1906-1978) LITHOGRAPH (1962) (STUCKEY #276), WARNER HOUSE, 10 1/4 X15 3/4”, COND. VERY GOOD, SIGNED.     600/800

76. GORDON GRANT (1875-1962) LITHOGRAPH, BOATS TO LET, 9 X12”, COND. VERY GOOD, SIGNED.     350/500

77. HARRY VINCENT (1864-1931) PENCIL, GLOUCESTER SCHOONER, 10 X10 1/2”, COND. GOOD, SIGNED.     400/600

78. ATTRIBUTED TO HENRY GASSER (1909-1981) WATERCOLOR, GLOUCESTER, 8 1/4 X10 1/2”, COND. VERY GOOD, NOT SIGNED. 500/700

79. HARRY BALLINGER (1893-1993) OIL ON PAPER, BASS ROCKS, 12 1/2 X1 51/2”, COND. EXCELLENT, SIGNED.     800/1,000

80. ANTONIO CIRINO (1888-1983) OIL ON CANVAS, VERMONT ACCLIVITIES, 25 X30”, COND. VERY GOOD, SIGNED.     6,000/9,000

81. WILLIAM MEYEROWITZ (1887-1981) WATERCOLOR, MT. PLEASANT AVE., GLOUCESTER, 20 X15”, COND. EXCELLENT, SIGNED. 800/1,200

82. EDWARD HARVEY (EARLY 20TH CENT.) WATERCOLOR, ROCKS ALONG THE BEACH, 5 1/2 X18”, COND. GOOD, SIGNED.     300/500

83. J. THURSTON MARSHALL (1908-1982) ACRYLIC, FROZEN IN TIME, 13 1/4 X20 1/2”, COND. VERY GOOD, SIGNED.     500/700

84. ALFRED CONWAY PEYTON (1875-1936) OIL ON CANVAS, GOLDEN OCTOBER, 16 X12”, COND. GOOD, SIGNED.     500/700

85. AL CZEREPAK (1928-1986) ACRYLIC ON BOARD, WITH CHILD, 5 X5 1/2”, COND. VERY GOOD, SIGNED.     400/600

86. JOHN LOUGHLIN (1931-2004) WATERCOLOR, WINTER FIELDS, 6 3/4 X10 1/2”, COND. EXCELLENT, SIGNED.     500/700

87. THERESA BERNSTEIN (1891-2002) OIL ON BOARD, THE MILL WORKER, 8 3/4 X10 1/2”, COND. GOOD, SIGNED LR.     1,200/1,500

88. HELEN VANWYK (1930-1994) OIL ON CANVAS, STILL LIFE, 24 X20”, COND. VERY GOOD, SIGNED.     600/800

89. WILLIAM MEYEROWITZ (1887-1981) GRAPHITE, GLOUCESTER FROM E. MAIN ST., 8 X9 3/4”, COND. VERY GOOD, SIGNED.     300/500


90. ATTRIBUTED TO LOU BURNETT
(1907-1999) WATERCOLOR, ILLUSTRATION FROM MASTER DETECTIVE MAGAZINE, 12 X15”, COND. GOOD, NOT SIGNED.      400/600

91. JANE PETERSON (1876-1965) MIXED MEDIA, BOSTON COMMON, 7 1/4 X9 1/2”, COND. VERY GOOD, SIGNED.    600/800

92. BERNARD COREY (1914-2000) OIL ON PAPER, IRISH COTTAGE, 7 X10”, COND. VERY GOOD, SIGNED (ON REVERSE) 1986.    1,200/1,400

93. BETTY DEVICQ (20TH CENT.) WATERCOLOR, INDIAN PIPES, 7 X13”, COND. EXCELLENT, SIGNED.     400/600

94. LOU BURNETT (1907-1999) WATERCOLOR, RIDDLE OF ONTENOGO – ILLUSTRATION FROM MASTER DETECTIVE MAGAZINE,    20 X10 3/4”, COND. GOOD, SIGNED (L.B.).     400/600

95. BERNARD COREY (1914-2000) OIL ON CANVAS MOUNTED ON MASONITE, SUMMER FIELDS, 9 X14”, COND. VERY GOOD, SIGNED.     1,500/2,000

96. GERTRUDE FISKE (1878-1961) OIL ON BOARD, THE OLD ROAD HOME, 9 1/2 X13”, COND. GOOD, SIGNED (G.F.).     500/700

97. AL CZEREPAK (1928-1986) WOODCUT, ER AAKREN ARM, SO ER SJOEN RIK, 19 1/2 X23”, COND. GOOD, SIGNED (ur).     700/900

98. CONSTANTINE ARVANITES (1921-1998) COLLAGE, STUDY #1, 6 X6”, COND. EXCELLENT, SIGNED.     500/700

99. CONSTANTINE ARVANITES (1921-1998) COLLAGE, SIGNET, 6 X8”, COND. EXCELLENT, SIGNED.     500/700

100. CONSTANTINE ARVANITES (1921-1998) COLLAGE, BLACK ROSE, 6 1/2 X7”, COND. EXCELLENT, SIGNED.     500/700

101. LEIGHTON R. CRAM (1895-1981) WATERCOLOR, ABSTRACT #2, 7 3/4 X9 1/2”, COND. VERY GOOD, SIGNED.     500/700

102. LEIGHTON R. CRAM (1895-1981) GOUACHE ON BLACK PAPER, NIGHTTIME LANDSCAPE, 7 1/2 X9 1/2”, COND. VERY GOOD,

SIGNED.      500/700

103. ATTRIBUTED TO LEIGHTON R. CRAM (1895-1981) WATERCOLOR, ABSTRACT #1, 8 1/2 X10 1/4”, COND. VERY GOOD,

NOT SIGNED.     500/700

104. W. LESTER STEVENS (1888-1969) WATERCOLOR, THE OLD MILL, 12 1/4 X18 1/2”, COND. VERY GOOD, SIGNED.     800/1,100

105. RICHARD GIBNEY (RAA 1969-1995, D.2000) OIL ON BOARD, VASE OF FLOWERS, 7 X5”, COND. GOOD, SIGNED.     200/400

106. JOSEPH RIMINI (1920-2000) OIL ON CANVAS BOARD, GLOUCESTER HARBOR, 8 X10”, COND. VERY GOOD, SIGNED.     300/500

107. JOHN WENTWORTH (1911-1993) WATERCOLOR, FISHING, 9 X13”, COND. VERY GOOD, SIGNED.      300/500

108. HARRY BALLINGER (1893-1993) OIL ON CANVAS, SEASCAPE, 16 X20”, COND. GOOD, SIGNED.     1,500/2,000

109. NORMAN O’BRIEN (1920-1982) INK & WATERCOLOR, BEACH HOUSES, 9 1/2 X14”, COND. VERY GOOD, SIGNED.     300/500

110. AL CZEREPAK (1928-1986) OIL ON BOARD, STREET SCENE, 10 X8”, COND. GOOD, SIGNED.      550/750

111. JOSEPH PRESSER (1907-1967) GOUACHE, GROUP OF YOUNG FIGURES, 10 X8”, COND. EXCELLENT, SIGNED.     500/700

112. THERESA BERNSTEIN (1891-2002) CHARCOAL SKETCH, PORTRAITS, 25 X19”, COND. VERY GOOD, SIGNED.     1,200/1,500

113. AL CZEREPAK (1928-1986) PAINTED WOOD CARVING, CAT WITH BUTTERFLY, 21 X6 1/2”, COND. EXCELLENT, SIGNED.     700/900

114. ATTRIBUTED TO AL CZEREPAK (1928-1986) PAINTED WOOD CARVING, OX PLOW, 27 X44”, COND. GOOD, NOT SIGNED

(FROM HARRY ZELTZER COLLECTION).     800/1,000

115. JOSEPH MARGULIES (1896-1984) ETCHING, UNIVERSAL RABBI, 10 X7 1/4”, COND. EXCELLENT, SIGNED.     500/700

116. WILLIAM MEYEROWITZ (1887-1981), PEN & INK, BARN SCENE, 6 3/4 X8”, COND. VERY GOOD, SIGNED.     400/600

117. ALAN CRANE (1901-1969) LITHOGRAPH, BEARSKIN NECK, 9 3/4 X13 3/4”, COND. VERY GOOD, SIGNED.     400/600

118. GORDON GRANT (1875-1962), LITHOGRAPH, STOWING THE JIB, 9 X11 1/2”, COND. GOOD, SIGNED.     300/500

119. STOW WENGENROTH (1906-1978), LITHOGRAPH (STUCKEY #299), CORBETT‘S POND, 10 1/4 X16”, COND. VERY GOOD, SIGNED. 500/700

120. STOW WENGENROTH (1906-1978), LITHOGRAPH (STUCKEY #362), LANESVILLE HARBOR, 10 7/16 X15 7/8”, COND. EXCELLENT, SIGNED (ARTIST‘S PROOF).      700/900

121. GIFFORD BEAL (1879-1956) DRYPOINT ETCHING (1935), WOUNDED DUCK, 8 3/4 X11 3/4”, COND. VERY GOOD, SIGNED.    400/600

122. STOW WENGENROTH (1906-1978), LITHOGRAPH (STUCKEY #140), NEW ENGLAND GREEN, 11 X16 3/16”, COND. EXCELLENT, SIGNED.    700/900

123. PHILIP LITTLE (1857-1942) ETCHING (1915), SALEM HARBOR, 5 5/8 X10”, COND. GOOD, SIGNED.    500/700

124. STOW WENGENROTH (1906-1978), LITHOGRAPH (1940) (STUCKEY #103), NEW ENGLAND VILLAGE, 7 3/8 X13 3/4”, COND. EXCELLENT, SIGNED.    700/900

125. ALAN CRANE (1901-1969) LITHOGRAPH, NET MENDING, 8 3/4 X11 3/4”, COND. VERY GOOD, SIGNED .    400/600

126. STEPHEN PARRISH (1846-1938) ETCHING, SHEEP & BARN IN FIELD, 5 1/2 X10 1/2”, COND. GOOD, SIGNED.     200/400

127. STOW WENGENROTH (1906-1978) LITHOGRAPH (STUCKEY #322), BUTTERFLY, 16 X8 3/4”, COND. VERY GOOD, SIGNED.    700/900

128. HOWARD CURTIS (1906-1989) OIL ON CANVAS, SURF, 18 X24” COND. EXCELLENT, SIGNED.     1,200/1,800

129. OTIS COOK (1900-1980) OIL ON CANVAS, THE NET MENDERS, 25 X30”, COND. EXCELLENT, SIGNED.     3,000/4,000

130. ATTRIBUTED TO MARSHALL W. JOYCE (1912-1998) OIL ON BOARD, HEADING OUT, 18 X24”, COND. EXCELLENT, NOT SIGNED. 2,000/3,000

131. ANTHONY THIEME (1888-1954) OIL WITH MIXED MEDIA (WATERCOLOR PAINTING ON REVERSE), THE CASTLE, 19 X12 1/2”, COND. VERY GOOD, SIGNED. 8,000/ 10,000

132. ATTRIBUTED TO LEIGHTON R. CRAM (1895-1981) WATERCOLOR, HILLSIDE HOMES, 7 1/4 X9 1/2”, COND. VERY GOOD,

NOT SIGNED.     500/700

133. LEIGHTON R. CRAM (1895-1981) OIL ON BOARD, ROCKPORT ROAD, 12 X16”, COND. VERY GOOD, SIGNED.    600/800

134. PAUL STRISIK (1918-1998) OIL ON CANVAS, HEADING OUT, 24 X30”, COND. VERY GOOD, SIGNED.     6,000/8,000

135. W. LESTER STEVENS (1888-1969) OIL ON MASONITE, WILDERNESS, 29 X35”, COND. VERY GOOD, SIGNED.     9,000/12,000

136. ROSS MOFFETT (1888-1971) OIL ON CANVAS, UNLOADING THE CATCH OF THE DAY, 20 X29”, COND. GOOD, SIGNED.     6,000/8,000

137. JOSEPH PRESSER (1907-1967) GOUACHE, TWO FIGURES, 10 X8”, COND. EXCELLENT, SIGNED.     500/700

138. ALAN CRANE (1901-1969) WATERCOLOR, BULLFIGHTING, 17 1/2 X12 1/2”, COND. VERY GOOD, NOT SIGNED (WITH LETTER OF AUTHENTICITY).     400/600

139. THERESA BERNSTEIN (1891-2002) OIL ON CANVAS, STILL LIFE, 20 X16”, COND. VERY GOOD, SIGNED.     1,500/2,500

140. OSCAR ANDERSON (1873-1953) OIL ON BOARD, HILLSIDE – 1925, 8 X10”, COND. VERY GOOD, SIGNED (O.A.).     700/900

141. ALDRO T. HIBBARD (1886-1972) OIL ON CANVAS, CAPE COD OF OLD, 9 1/2 X11 1/4”, COND. VERY GOOD, SIGNED.     3,000/5,000

142. PAUL STRISIK (1918-1998) OIL ON CANVAS, ROCKPORT HARBOR, 20 X30” COND. VERY GOOD, SIGNED.     4,000/6,000

143. HARRY SPIERS (1869-1934) WATERCOLOR/GOUACHE (1901), TWIN LIGHTS FROM BASS ROCKS, 7 1/4 X10 3/4”, COND.

VERY GOOD, SIGNED.      400/600

144. HARRY SPIERS (1869-1934) WATERCOLOR/GOUACHE (1901), BASS ROCKS, 7 1/4 X10 3/4”, COND. VERY GOOD, SIGNED.     400/600

145. WILLIAM MEYEROWITZ (1887-1981) OIL ON CANVAS, THREE HORSEMEN, 15 1/2 X11 1/2”, COND. VERY GOOD, SIGNED. 1,200/1,500

146. WILLIAM POTTER (1883-1964) OIL ON CANVAS, FISHING SCHOONER, GLOUCESTER, 25 X20”, COND. GOOD, SIGNED.     4,000/6,000

147. CAMERON BURNSIDE (1887-1952) WATERCOLOR, GLOUCESTER WHARF WITH PEOPLE & BOATS, 1940, 10 1/2 X12 1/4”, COND. VERY GOOD, SIGNED.      400/600

148. JOHN A. COOK (1870-1936) WATERCOLOR, COASTAL SCENE – ROCKPORT, 9 X13”, COND. GOOD, SIGNED.     800/1,000

149. JERRI RICCI (1916-1996) WATERCOLOR, STAR ISLAND, 16 1/4 X23 1/2”, COND. EXCELLENT, SIGNED.     2,000/3,000

150. ANTHONY THIEME (1888-1954) OIL ON CANVAS, MOTIF #1 - FOGGY MORNING, 25 X30”, COND. GOOD, SIGNED.     22,000/28,000

151. MAE BENNETT BROWN (1884-1972) PASTEL, ROSES IN A GREEN VASE, 12 1/2 X16”, COND. VERY GOOD, SIGNED.     500/700

152. STANLEY WOODWARD (1890-1970) OIL ON CANVAS, CAPE ANN SURF, 20 X24”, COND. VERY GOOD, SIGNED.    2,000/3,000

153. WILLIAM MEYEROWITZ (1887-1981) WATERCOLOR, BATHING GROUP, 10 X13 1/2”, COND. VERY GOOD, SIGNED.     500/700

154. WILLIAM MEYEROWITZ (1887-1981) WATERCOLOR, THE LITTLE WHARF, 1924, 15 X21”, COND. VERY GOOD, SIGNED.     500/700

155. THERESA BERNSTEIN (1891-2002) WATERCOLOR, ANNISQUAM RIVER, 13 1/4 X21 3/4” COND. VERY GOOD, SIGNED.     1,500/2,000

NEW ADDITION:

155-A.  STANLEY WOODWARD (1890-1970) OIL ON CANVAS, OLD RED BARN, 40 X 50", COND. VERY GOOD, SIGNED.     8,000/12,000

156. ANTONIO CIRINO (1888-1983) OIL ON CANVAS, HOME FROM SCHOOL, 25 X30”, COND. VERY GOOD, SIGNED.     5,000/7,000

157. ELIZABETH WITHINGTON (RAA 1923-1960, D. 1962) WATERCOLOR/GOUACHE, MAIN STREET, ROCKPORT, 6 1/4 X11 3/4”, COND. EXCELLENT, SIGNED.      1,000/1,200

158. BERNARD COREY (1914-2000) OIL, MAINE COAST, 9 X14”, COND. VERY GOOD, SIGNED.     1,800/2,000

159. MARIAN WILLIAMS STEELE (1912-2001) WATERCOLOR, SUMMERTIME, 9 1/2 X13 1/2”, COND. VERY GOOD, SIGNED.     500/700

160. MARIAN WILLIAMS STEELE (1912-2001) WATERCOLOR, AT THE BEACH, 11 X13”, COND. VERY GOOD, SIGNED.     500/700

161. STANLEY WOODWARD (1890-1970) OIL ON CANVAS BOARD, LOBSTERMAN OFF HALIBUT POINT, 20 X24”, COND. VERY GOOD, SIGNED.     1,500/2,500

162. MARGUERITE PEARSON (1898-1978) OIL ON CANVAS BOARD, PEONIES, 20 X24”, COND. VERY GOOD, SIGNED.     2,000/4,000

163. W. LESTER STEVENS (1888-1969) OIL ON CANVAS, BOATS IN THE HARBOR, 25 X30”, COND. FAIR, SIGNED.     2,000/4,000

164. THOMAS CRAIG (1849-1924) WATERCOLOR, GREEN PASTURES, 14 1/4 X24 1/4”, COND. GOOD, SIGNED.     1,000/1,500

165. JOSEPH L.C. SANTORO (1908-1998) WATERCOLOR, VERMONT WINTER, 9 1/2 X14”, COND. VERY GOOD, SIGNED.     700/900

166. ARNOLD BOEDECKER (20TH CENT.) WATERCOLOR (1965), BEACH SCENE, 4 X5”, COND. VERY GOOD, SIGNED (BOEDIE).    200/300

167. MAE BENNETT BROWN (1884-1972) PASTEL, THREE ROSES IN A VASE, 11 3/4 X14 1/4”, COND. VERY GOOD, SIGNED.     500/700

168. WILLIAM B. HAZELTON (1879-1954) OIL ON LINEN, BEACON HILL: WINTER, 30 X36”, COND. FAIR, SIGNED.     4,000/6,000

169. ELIZABETH WITHINGTON (RAA 1923-1960, D.1962) WATERCOLOR/GOUACHE, ISLAND HOME, 9 3/4 X7 1/2”, COND. VERY GOOD, SIGNED.     400/600

170. ATTRIBUTED TO PHILIP SHUMAKER (1921-1967) OIL ON BOARD, PORTRAIT OF A YOUNG MAN, 10 X8” COND. GOOD,

NOT SIGNED (PERSONAL GIFT FROM ARTIST TO PAUL STRISIK).     400/600

171. PAUL STRISIK (1918-1998) WATERCOLOR, GLOUCESTER PIER, 7 3/4 X6 1/2”, COND. EXCELLENT, SIGNED (P.S.).     700/900

172. TOD LINDENMUTH (1885-1976) OIL ON CANVAS, HOUSE ON CAPE ANN, 23 X33”, COND. VERY GOOD, SIGNED.     900/1,100

173. ATTRIBUTED TO JOHN A. COOK (1870-1936) WATERCOLOR, BOATS AT REST, GLOUCESTER, 13 3/4 X17 1/2”, COND. GOOD,

NOT SIGNED. 600/800

174. S.R. EATON (20TH CENT.) OIL ON CANVAS BOARD, HOUSES ALONG THE SHORE, 12 X16”, COND. GOOD, SIGNED.     400/600

175. HENRY GASSER (1909-1981) WATERCOLOR, SNOWY OVERLOOK, 7 1/4 X9 3/4”, COND. VERY GOOD, SIGNED.     500/700

176. AL CZEREPAK (1928-1986) OIL ON BOARD, MOROCCAN BLEU, 20 1/2 X14”, COND. GOOD, SIGNED.     600/800