AUCTION 2008 CATALOG

 

Click to Browse by Photos Only

 

Please note: All items are framed. Each catalog listing is followed by an estimate range.

Prices realized are in red.
 

1. J. A. Cook (1870-1936) Watercolor, The Black Schooner, 16 x 19 1/2”, Cond. Good, Signed. 500/700   550

 

2. Leighton R. Cram (1895-1981) Oil on canvas, Rocky Landscape, 18 x 20”, Cond. Good, Signed. 300/500   475

 

3. Reynolds Beal (1867-1951)  Pencil & Watercolor, Gloucester Harbor - 1927, 14 1/2 x 21 1/4”, Cond. Good, Signed. 800/1,200   800

 

4. G. Cimiotti  (1875-1969)  Oil on canvas, Rockport Beach, 15 1/2 x 19 1/2”, Cond. Fair, Signed. 800/1,200   450

 

5. William Meyerowitz (1887-1981)  Watercolor, In the Park, 15x 21 1/2”, Cond. Very Good, Signed. 1,000/1,500   600

 

6. Al Czerepak (1928-1986)  Oil on board, Spring Planting,16 x 21 1/2”, Cond. Good, Signed. 1,000/1,500   6,400

 

7. Ruth Jewell (1908-1999)  Oil on panel, Foggy Night, Rockport, 16 x 20”, Cond. Very Good, Signed. 1,800/2,200   2,000

 

8. George W. Harvey (1835-1920)  Etching, Gloucester Harbor, 4 7/8 x 3 3/4”, Cond. Good, Signed. 100/200   300

 

9. Constantine Arvanites (1921-1998)  Mixed Media, Collage #12, 7 x 4“, Cond. Very Good, Signed. 200/300   Pass

 

10. Stow Wengenroth (1906-1978)  Lithograph, Rocky Ledge, Rockport, MA (Stuckey #344),

8 7/16 x 14 15/16”, Cond. Very Good, Signed. 500/700   400

 

11. Marguerite E. Peaslee (1901-1961)  Oil on canvas, Rockport Morning, 12x 16”, Cond. Very Good, Signed. 300/500   450

 

12. George L. Noyes (1864-1954)  Oil monotype on paper, Houses by a Pond, 3 1/4 x 3 3/4”, Cond. Good, Signed. 700/900   950

 

13. Nathaniel Dirk (1895-1961)  Watercolor, Pigeon Cove, 7 1/4 x 10”, Cond. Good, Signed. 300/500   300

 

14. Attributed to Aldro T. Hibbard  (1886-1972)  Oil on canvas, Vermont Winter, 22 x 30”, Cond. Very Good
Estate Stamped on reverse. 4,000/6,000
   3,600

 

15. George L. Noyes (1864-1954)  Oil monotype on paper, Boats in Harbor, 3 1/4 x 3 3/4”, Cond. Good, Signed. 700 / 900   1,100

 

16. Nathaniel Dirk (1895-1961)  Watercolor, Bathers & Rocks, 7 1/2 x 10”,  Cond. Good, Signed. 300/500   300

 

17. Bernard Corey (1914-2000)  Oil on board, Back Country, 8 x 12”, Cond. Good, Signed. 2,000/3,000   2,000

 

18. Stow Wengenroth (1906-1978)  Lithograph, Rock Shadows, (Stuckey #332), 8 13/16  x 15 9/16”,

Cond. Very good, Signed. 500/700   400

 

19. Constantine Arvanites (1921-1998)  Mixed Media, Collage #11, 7 x 4“, Cond. Very Good, Signed. 200/300   50

 

20. Lester Hornby (1882-1956)  Etching, Vielles Maisons Reims,  8 x 5 1/2”, Cond. Good, Signed. 150/250   250

 

21. Stanley Woodward (1890-1970)  Oil on canvas board, East Gloucester, 13 1/2 x 17 1/2”,

Cond. Very Good, Signed. 600/900   1,800

 

22. Theresa Bernstein (1891-2002)  Oil on canvas board, Ghost Story, 20 x 16”, Cond. Good, Signed

(& titled on reverse). 1,500/2,500   1,100

 

23. George Demetrios (1896-1974)  Pencil, Nude, 11 x 8 1/2”, Cond. Good, Signed. 200/400   400

 

24. George Demetrios (1896-1974)  Pencil, Nude Reclining, 8 1/2 x 11”, Cond. Very Good, Signed. 300/500   375

 

25. Joseph Rimini (1920-2000)  Oil on canvas, Gloucester Harbor, 24 x 36”, Cond. Good, Signed. 800/1,200   1,500

 

26. George L. Brown (19th Cent.)  Watercolor, English Landscape, 5 x 8”, Cond. Fair, Signed.400/600   300

 

27. Al Czerepak (1928-1986)  Acrylic on board, Rocky Neck, 13 x 9”, Cond. Very Good, Signed.  1,200/1,500   1,000

 

28. Al Czerepak (1928-1986)  Gouache, Doina in Her Special Chair, 10 1/2 x 6 3/4”, Cond. Very Good, Signed. 600/800   250

 

29. Nathaniel Dirk (1895-1961)  Watercolor, Untitled, 7 x 9 1/4“,  Cond. Good, Signed. 300/500   Pass

 

30. Al Czerepak (1928-1986)  Gouache, Ireland, 9 x 12”,  Cond. Excellent, Signed. 800/1,000   700
 

31. Bernard Corey (1914-2000)  Oil on canvas mounted on board, Seacoast, 9 1/4 x 14“, Cond. Good, Signed. 1,600/1,800   2,500

 

32. Reynolds Beal (1867-1951)  Etching, Stonington, 7 7/8 x 11 1/4“, Cond. Good, Signed. 300/400   175

 

33. Reynolds Beal (1867-1951)  Etching, Drifting for Mackerel, 11 1/2 x 16“, Cond. Good, Signed. 300/400   300

 

34. Attributed to Carl W. Peters (1897-1988)  Oil on canvas, Fish Shack, 24 x 30”, Cond. Very Good, Estate Stamped. 5,000/8,000   4,400

 

35. Michael Stoffa (1923-2001)  Oil on Linen, The Old Fish Shack, 16 x 20”, Cond. Very Good, Signed. 500/700   550

 

36. Louis Kronberg (1872-1965)  Oil on canvas, A Rockport Lady, 16 x 20” Cond. Good, Signed (1940). 900/1,200   Pass

 

37. Charles Paul Gruppe (1860-1940)  Oil on canvas, The Fisherman‘s House, 20 x 24”,  Cond. Good, Signed. 1,200/1,600   4,600

 

38. Gianni Cilfone (1908-1990)  Oil on canvas board, Gloucester Wharf, 16 x 14”, Cond. Good, Signed. 600/800   1,250

 

39. Louis C. Hankes (1882-1943)  Oil on canvas board, Gloucester Schooners, 12 x 16”, Cond. Good, Signed. 400/600   1,300

 

40. Marian Williams Steele (1912-2001)  Oil on board, Floral, 20 x 24”, Cond. Good, Signed. 700/900   700

 

41. stow wengenroth (1906-1978)  Lithograph, Old Quarry, Rockport, MA (Stuckey #309), 14 7/8 x 11”,

Cond. Very Good, Signed. 500/700   400

 

42. Paul Strisik (1918-1998)  Oil on canvas, Atlantic Surf, 24 x 30”, Cond. Good, Signed. 4,000/6,000   1,700

 

43. Anthony Thieme (1888-1954)  Etching, Gloucester Dock, 7 x 4 3/4”, Cond. Good, Signed.200/400   475

 

44. Marguerite Pearson (1898-1978)  Oil on canvas board, Autumn in Rockport, 20 x 24”, Cond. Good, Signed. 2,000/3,000   1,200

 

45. Reynolds Beal (1867-1951)  Etching, Early Morning Fishing, 11 1/2 x 17 3/4”, Cond. Good, Signed. 300/400   375

 

46. Stow Wengenroth (1906-1978)  Lithograph, Old Tree, Eastport, ME (Stuckey #5), 8 3/4 x 11 5/8”,

Cond. Very Good, Signed (inscribed to artist‘s wife). 500/700   400

 

47. Joseph Margulies (1896-1984)  Watercolor, Sunny Day, Gloucester, 22 x 30”, Cond. Good, Signed. 500/700   500

 

48. Constantine Arvanites (1921-1998)  Mixed Media, Collage #9, 7 1/4 x 4”, Cond. Very Good, Signed. 200/300   100

 

49. Marguerite Pearson (1898-1978)  Oil on canvas board, Roses, 10 x 8”, Cond. Good, Signed. 300/500   1,350

 

50. Constantine Arvanites (1921-1998)  Mixed Media, Collage #10, 7 1/4 x 4”, Cond. Very Good, Signed. 200/300   50

 

51. Stow Wengenroth (1906-1978)  Lithograph, Caverned Waters, Rockport, MA (Stuckey #57),

8 5/16 x 13”, Cond. Very Good, Signed. 700/900   500

 

52. Marguerite Pearson (1898-1978)  Oil on canvas, Lady in Blue with Harp, 30 x 36”, Cond. Good, Signed. 8,000/12,000   4,800

 

53. Bernard Corey (1914-2000)  Oil on canvas mounted on board, Afternoon Pasture, 8 1/4 x 13 1/2”,

Cond. Good, Signed. 1,800/2,400   2,600

 

54. Marshall Joyce (1912-1998)  Watercolor, In from the Sea, 10 1/2 x 14 1/2”, Cond. Very Good, Signed. 700/900   850

 

55. W. Lester Stevens (1888-1969)  Oil on canvas, Atlantic Ave., Rockport, 16 x 18”, Cond. Good, Signed. 2,000/4,000   4,900

 

56. Paul Strisik (1918-1998) Oil, Quiet Meadows, 12 x 16”, Cond. Excellent, Signed. 1,500/2,500   2,800

 

57. Attributed to Albert Insley (1842-1937) Oil on canvas, Evening Services, Old Baptist Church, 9 x 12”,

Cond. Good, Not Signed. 800/1,000   Pass

 

58. Charles Demetropoulos (1912-1976) Watercolor, The Flower Seller, 13 1/2 x 19 3/4”,

Cond. Good, Signed. 400/600   475

 

59. Fred Cozzens (1846-1928)  Watercolor, Tug at Sea, 11 x 20 1/2”, Cond. Good, Signed. 1,500/2,000   950

 

60. Joseph Rimini (1920-2000)  Oil on canvas board,  Gloucester Harbor, 8 x 10”, Cond. Good, Signed. 300/500   500

 

61. Frank Beatty (1899-1984)  Oil on board, Betty Lou‘s Garden Class, 9 x 12”, Cond. Very Good, Signed. 400/600   450

 

62. Stow Wengenroth (1906-1978)  Lithograph, Road to the Sea (Stuckey #96), 9 1/16 x 15 7/8”,

Cond. Very Good, Signed. 700/900   650

 

63. Harry Ballinger (1893-1993)  Oil on canvas, Heading Out, 16x 20”, Cond. Very Good, Signed. 600/900   1,350

 

64. Stanley Woodward (1890-1970)  Oil, Seascape, 16 x 20”, Cond. Good, Signed. 600/900   500

 

65. Otis Cook (1900-1980)  Oil on canvas, Foggy Day, Pigeon Cove, 20 x 24”, Cond. Very Good, Signed. 1,500/2,500   4,200

 

66. H. Boylston Dummer (1878-1945)  Pen & Ink Drawing, A Taste of His Own Medicine, 11 1/8 x 20”,

Cond. Very Good, Signed. 500/700   250

 

67. Marguerite Pearson (1898-1978)  Oil on canvas board, Tulips, 16 x 12”, Cond. Good, Signed. 700/900   1,200

 

68. F. John Hilliard (b.1886)  Etching, Ball des Artistes, 7 1/2 x 5“, Cond. Good, Signed. 300/500   300

 

69. Lester Hornby (1882-1956)  Black Crayon, French Troops, 9 x 13”, Cond. Very Good, Signed. 300/500   425

 

70. Roger Curtis (1910-2000)  Oil on canvas, Breakers, 24 x 36”, Cond. Very Good, Signed. 800/1,200   850

 

71. William Meyerowitz (1887-1981)  Pencil on paper, Study for Gloucester Humoresque, 1923,

8 1/4 x 12 3/8”, Cond. Good, Signed. 700/900   1,075

 

72. Gifford Beal (1879-1956)  Etching, Winter, Central Park, 18x 11 1/2“, Cond. Very Good, Signed. 500/700   325

 

73. Stow Wengenroth (1906-1978)  Lithograph, Inlet Light (Stuckey #75), 8 1/8 x 12 3/4”,

Cond. Very Good, Signed. 400/600   425

 

74. Stow Wengenroth (1906-1978)  Lithograph, Along the Shore (Stuckey #79), 10 x 14 1/2”,

Cond. Very Good, Signed. 450/650   450

 

75. W. Lester Stevens (1888-1969)  Watercolor, Stormy Harbor, 18 1/2 x 25”, Cond. Good, Signed. 1,800/2,200   3,000

 

76. Reynolds Beal (1867-1951)  Etching, Lobster Fisherman, 18 3/4 x 12”, Cond. Good, Signed.       200/400   425

 

77. Gordon Grant (1875-1962)  Lithograph, Any Lobsters Today?, 9 x 12”, Cond. Good, Signed. 200/300   425

 

78. Gilbert T. Margeson (1852-1949)  Oil on board, Crashing Waves, 20 x 29 1/2”, Cond. Fair, Signed. 700/900   600

 

79. Harry DeMaine (1880-1951)  Watercolor, Motif #2, 12 1/2 x 15 1/2”, Cond. Good, Signed. 500/700   775

 

80. Frank W. Benson (1862-1951)  Etching, Ducks Arising, 5 x 8”, Cond. Very Good, Signed. 400/600   275

 

81. H. Boylston Dummer (1878-1945)  Pen & Ink Drawing, Illustration for Animal Town Aviators, c.1930,

7 x 11”, Cond. Very Good, Signed. 600/800   Pass

 

82. Jacob Greenleaf (1887-1968)  Oil on canvas, Peaceful Harbor, Rockport, MA, 24 x 30”,

Cond. Very Good, Signed. 4,500/6,500   5,200

 

83. S. Ohrvel Carlson (1911-2006)  Oil on canvas board, Cape Ann Seascape, 14 x 18”, Cond. Very Good, Signed. 700/900   Pass

 

84. Al Czerepak (1928-1986)  Woodblock Print, Hauling in the Nets, 7 x 11”, Cond. Good, Signed. 200/400   225

 

85. Y.K. Kimmura  (20th Cent.)  Serigraph (ed. 71/88), Untitled, 10 3/4 x 10 1/4”, Cond. Very Good, Signed. 200/400   Pass

 

86. Joseph Santoro (1908-1998) Watercolor, Snow Scene, 21 x 29 1/2”, Cond. Good, Signed. 500/700   500

 

87. William Meyerowitz (1887-1981) Etching, Quarry, 8 x 9 3/4”, Cond. Good, Signed. 200/400   200

 

88. Harrison Cady (1875-1970)  Graphite, The Hannah Jumper House, 13 x 21”, Cond. Fair, Signed (1920). 300/500   Pass

 

89. Marguerite E. Peaslee (1901-1961)  Oil on canvas, Lanesville, Cape Ann, MA, 12 x 16”, Cond. Good, Signed. 400/600   325

 

90. Frederick Lincoln Stoddard (1861-1940)  Watercolor & Goauche, In the Harbor, 10 1/2 x 14 1/2”,

Cond. Good, Signed. 400/600   225

 

91. William Meyerowitz (1887-1981) Etching, Gloucester Harbor, 6 1/2 x 8 1/4”, Cond. Good, Signed. 400/600   300

 

92. Harrison Cady (1875-1970)  Graphite, Motif #2, 13 x 17 1/4”, Cond. Fair, Signed (1920). 300/500   450

 

93. Marshall Joyce (1912-1998)  Watercolor, Hansen‘s Farm, 9 x 14”, Cond. Good, Signed. 300/500   675

 

94. Gordon Grant (1875-1962)  Etching, Gloucester Wharves, 9 x 12”, Cond. Good, Signed. 200/400   375

 

95. Joseph Margulies (1896-1984)  Watercolor, Gloucester 1944, 14 x 21”, Cond. Good, Signed. 200/400   450

 

96. Attributed to Al Czerepak (1928-1986)  Wood Carving, Laughing Lion, 14 x 25”, Cond. Very Good,

Not Signed, (Ipswich Restaurant Sign from the 1970‘s). 1,500/2,500   500

 

97. Anthony Thieme (1888-1954)  Etching, Boats at Dock, 9 3/4 x 7 3/4”,  Cond. Good, Signed. 200/400   650

 

98. Al Czerepak (1928-1986)  Pencil, Nude, 7 3/4 x 10 3/4”,  Cond. Fair, Signed. 200/300   225

 

99. Jon Corbino (1905-1964)  Oil on canvas, The New Hat (additional painting on reverse),

28 x 16”, Cond. Good, Signed. 2,000/4,000   2,500

 

100. Antonio Cirino (1888-1983)  Oil on board, The Village Sanctuary, 7 3/4 x 9 7/8”, Cond. Good, Signed. 500/700   700

 

101. Michael Stoffa (1923-2001)  Oil on canvas, Motif #1, 13 x 9”, Cond. Good, Signed. 200/300   500

 

102. Marguerite Pearson (1898-1978)  Oil on canvas board, Sandy Bay, Rockport, 8 x 10”,

Cond. Very Good, Signed. 600/900   950

 

103. Attributed to Francis S. Dixon (1879-1967)  Oil on board, Autumn Landscape, 8 x 10”,

Cond. Very Good, Estate Stamped. 500/700   700

 

104. Philip Little (1857-1942)  Dry Point Etching, Seaport, 10 x 12”, Cond. Very Good, Signed. 300/500   175

 

105. J. Eliot Enneking (1881-1942)  Oil on canvas board, The Sea Beyond, 11 1/2 x 15 1/2“,

Cond. Very Good, Signed. 1,200/1,800   1,700

 

106. Roberta Thresher (RAA 1974–2002, d.2002)  Watercolor, A Country Place, 5 x 7”, Cond. Very Good, Signed. 150/250   225

 

107. Antonio Cirino (1888-1983)  Oil on board, Sunday Afternoon, 7 7/8 x 9 3/4”, Cond. Good, Signed. 500/700   800

 

108. Anthony Thieme (1888-1954)  Watercolor, Gloucester Harbor, 12 3/4 x 16 3/4”, Cond. Fair, Signed. 600/800   400

 

109. Thomas Nagai (1886-1966)  Gouache, Back Yard on Cape Ann, 11 1/2 x 17 1/2“, Cond. Good, Signed. 800/1,200   Pass

 

110. Stow Wengenroth (1906-1978)  Watercolor, Red Flower, 10 3/8 x 6 3/8”, Cond. Very Good, Signed. 600/800   900

 

111. Marguerite Pearson (1898-1978)  Oil on canvas board, Spring Flowers, 10 x 8”, Cond. Very Good, Signed. 800/1,200   1,050

 

112. Aldro T. Hibbard (1886-1972)  Oil on canvas, Vermont Brook, 25 x 30”, Cond. Very Good, Signed. 15,000/20,000   26,000

 

113. Bernard Corey (1914-2000)  Oil on board, Scenic Ridge, 8 x 13”, Cond. Very Good, Signed. 2,000/3,000   2,900

 

114. Harry A. Vincent (1864-1931)  Oil on canvas mounted on board, French Village Scene, 11 x 14”,

Cond. Very Good, Signed. 1,800/2,200   4,200

 

115. Frederick MacNeil (19th – 20th Cent.)  Watercolor, Cape Ann, 1901, 14 x 21”, Cond. Good, Signed. 700/900   1,050

 

116. Ruth Jewell (1908-1999)  Oil on canvas, Patio Flowers, 20x 24”, Cond. Very Good, Signed. 400/600   900

 

117. J. B. Foster (b.1865)  Watercolor, Gloucester Wharf, 11 x 8 1/4”, Cond. Good, Signed. 300/500   525

 

118. Hayley Lever (1876-1958)  Oil on canvas, Yacht at Rockport, 6 1/2 x 9 1/2”, Cond. Very Good, Signed. 3,000/5,000   3,000


119. Mildred Jones (1899-1992)  Oil on board, Maine St., Rockport, 8 x 10”,  Cond. Very Good, Signed. 600/800   1,300

 

120. Winifred Jackman Hibbard (1898-1986)  Watercolor, Interior Detail of Aldro T. Hibbard Studio -

Rockport, MA, 11 1/2 x 9 1/4”,  Cond. Very Good, Signed. 200/300   50

 

121. Aldro T. Hibbard (1886-1972)  Oil on board, Gloucester Dock, 14 3/4 x 17 3/4”, Cond. Good, Signed.

12,000/18,000   16,000

 

122. Anthony Thieme (1888-1954)  Oil on canvas, North Easter, 26 x 30“, Cond. Good, Signed. 12,000/18,000   Pass

 

123. Stanley Woodward (1890-1970)  Watercolor, Sea Grapes, 15 x 20”, Cond. Good, Signed.       600/800   825

 

124. Marguerite Pearson (1898-1978)  Oil on canvas, Holiday Pastime, 25 x 30”, Cond. Very Good, Signed. 12,000/18,000   12,000

 

125. Thomas Nagai (1886-1966)  Gouache, Overlooking Cape Ann Inlet, 15 1/2 x 21 1/2”, Cond. Very Good, Signed. 1,200/1,600   1,300

 

126. Gilbert Emery (RAA 1940-1954)  Oil on canvas, Schooner, 25 x 30”, Cond. Good, Signed. 800/1,200   1,100

 

127. Aldro T. Hibbard (1886-1972)  Oil on board, Gloucester Boats, 15 x 17 3/4”, Cond. Good, Signed. 12,000/18,000   17,500

 

128. Henry W. Rice (1853-1934)  Watercolor, Gloucester Docks, 10 7/8 x 7 5/8” Cond. Good, Signed. 400/600   625

 

129. Josephine Paddock (1885-1964)  Oil on board, The Red Parasol, Gloucester, 4 1/2 x 5 7/8“,

Cond. Very Good, Signed (on reverse, 1932). 400/600   500

 

130. Bernard Corey (1914-2000)  Oil on board, Joe‘s Place, 8 x 10”, Cond. Very Good, Signed.         900/1,200   1,750

 

131. J. A. Cook (1870-1936)  Watercolor, Gloucester Wharf, 10 1/2 x 7 1/4”, Cond. Good, Signed. 400/600   450

 

132. Paul Strisik (1918-1998)  Oil on canvas, Gloucester Harbor, 16 x 20”, Cond. Excellent, Signed. 6,000/8,000   8,100

 

133. Anthony Thieme (1888-1954)  Oil on canvas, The Old Mill, 25 x 30”, Cond. Good, Signed. 10,000/12,000   14,000

 

134. Al Czerepak (1928-1986)  Acrylic, Bringing in the Catch, 8 3/4 x 11 3/4”, Cond. Excellent, Signed. 800/1,200   1,000

 

135. William Meyerowitz (1887-1981)  Watercolor, Good Harbor Beach, c.1920, 8 1/2 x 11 1/2”, Cond. Good, Signed. 1,000/1,500   Pass

 

136. Nathaniel Dirk (1895-1961)  Watercolor, Rockport Harbor, 14 1/4 x 21”, Cond. Very Good, Signed. 600/800   350

 

137. Frank P. Shea (1885-1977)  Oil on canvas, End of Day, 25 x 30”, Cond. Good, Signed. 600/800   1,050

 

138. Roger Curtis (1910-2000)  Oil on canvas board, Heavy Seas, 12 x 16”, Cond. Very Good, Signed. 400/600   300

 

139. Bernard Corey (1914-2000)  Oil on canvas mounted on masonite, Last of the Snow, 10 x 16”,

Cond. Very Good, Signed. 1,500/2,000   2,200

 

140. Charles Paul Gruppe (1860-1940)  Oil, The Windmill - Holland, 16 1/2 x 13 1/2”, Cond. Very Good, Signed. 5,000/7,000   5,000

 

141. Emile Gruppe (1896-1979)  Oil on canvas, Day‘s Catch, 25x 30”, Cond. Good (lined with some cupping paint), Signed. 8,000/12,000   7,000

 

142. Harry DeMaine (1880-1951)  Watercolor, Just Arrived, 9 1/2 x 11 1/4” Cond. Fair/Good, Signed. 400/600   200

 

143. Charles H. Richert (1880-1974)  Watercolor, Cottage Landscape, 10 x 14”, Cond. Good (light struck

stain), Signed. 400/600   450

 

144. Stanley Woodward (1890-1970)  Oil on canvas, Storm Over Nantucket, 30 1/2 x 36”, Cond. Fair, Signed. 1,500/2,500   1,300

 

145. J. B. Foster (1865-1930)  Watercolor, Waves Crashing on Rocks, 10 x 13 3/4”, Cond. Very Good, Signed (1903). 300/500   150

 

146. J. B. Foster (1865-1930)  Watercolor, Gloucester, 9 1/2 x 13 1/2”, Cond. Very Good, Signed. 600/800   900

 

147. Attributed to Harrison Cady (1875-1970) Charcoal & Watercolor, At the Breakwater, 16 x 19 1/2”,

Cond. Good, Not Signed. 1,500/1,800   Pass

 

148. Marguerite Pearson (1898-1978)  Oil on canvas, Zinneas, 24 x 20”, Cond. Good, Signed. 1,200/1,800   2,600

 

149. Howard Curtis (1906-1989)  Oil on board, Untitled, 11 x 14”, Cond. Good, Signed. 300/500   650

 

150. Attributed to Bernard Corey (1914-2000)  Oil on canvas mounted on board, Fall Pastures, 9 x 14”,

Cond. Very Good, Estate Stamped Signature. 1,800/2,200   Pass

 

151. Frank P. Shea (1885-1977)  Oil on canvas, Sunday Visit, 22 x 33 1/4”, Cond. Good, Signed.       500/700   950

 

152. John Chetcuti (1900-1976)  Watercolor, Unloading the Catch, 10 3/4 x 14 3/4”, Cond. Good, Signed. 700/900   400

 

153. J. Thurston Marshall (1908-1982) Oil on canvas, Bridge at Annisquam, 24 x 36”, Cond. Good, Signed. 1,500/1,800   3,100

 

154. Sal Grasso (1945-2006) Acrylic, Pennsylvania, 8x 10”, Cond. Very Good, Signed. 500/700   Pass

 

155. J. A. Cook (1870-1936)  Watercolor, Untitled, 9 1/2 x 13 1/2” Cond. Good, Signed. 500/700   275

 

156. W. Lester Stevens (1888-1969)  Oil on canvas, Rockport Boatyard, 25 x 30”, Cond. Very Good, Signed. 4,000/6,000   5,900

 

157. Jacob Greenleaf (1887-1968) Oil on canvas, Union Lane, Rockport, 20 x 24”, Cond. Excellent, Signed. 1,200/1,800   1,600

 

158. William Meyerowitz (1896-1981)  Oil on canvas mounted on board, Sailboats, Gloucester Harbor,

5 3/4 x 7 3/4”, Cond. Very Good, Signed. 700/900   1,200

 

159. Henry Gasser (1909-1981)  Watercolor, The Stone Arch, Greece, 7 1/2 x 9 1/2”, Cond. Excellent, Signed. 1,000/1,400   Pass

 

160. Al Czerepak (1928-1986)  Mixed Media, Street Scene (drawing of female nude on reverse),

9 1/2 x 7 1/2”, Cond. Good, Signed.         400/600   1,000

 

161. FOREST C. STEVENS (20th cent.)  Oil on canvas mounted on panel, Rocky Neck, 12 x 16”, Cond. Good, Signed. 500/700   200

 

162. W. Lester Stevens (1888-1969)  Watercolor, The Neighbor‘s House, 16 x 22 1/4”, Cond. Very Good, Signed. 1,200/1,800   2,000